tag:blogger.com,1999:blog-21863592174195406442024-03-08T02:50:01.294+08:00clash of the bull and the frogBullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.comBlogger789125tag:blogger.com,1999:blog-2186359217419540644.post-26634622869100710462022-08-01T10:20:00.004+08:002022-08-01T10:20:40.890+08:00new poems in philippines graphic reader<p><span style="font-family: georgia;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5OJP5UBZp2SICQR_6MEFybqmS1FsY6SlKHZiMrbDSUKh5HN6nvZ3lO-ut__p8K6gyTYavaR5c_cCpaoEWkiWzkY59RpD4Nl1gSitWlSL6Z6JQehs88TWkCjDkIOD-r7sFly-C1ao0EwxlLK6Oi-zEJ3Y2dzUC_vkphRmwvBXSEGA2_1o9UKokS-DY/s1394/Philippines%20Graphic%20Reader%20-%20July%202022%20Issue.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1394" data-original-width="1054" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5OJP5UBZp2SICQR_6MEFybqmS1FsY6SlKHZiMrbDSUKh5HN6nvZ3lO-ut__p8K6gyTYavaR5c_cCpaoEWkiWzkY59RpD4Nl1gSitWlSL6Z6JQehs88TWkCjDkIOD-r7sFly-C1ao0EwxlLK6Oi-zEJ3Y2dzUC_vkphRmwvBXSEGA2_1o9UKokS-DY/w242-h320/Philippines%20Graphic%20Reader%20-%20July%202022%20Issue.jpg" width="242" /></a></span></div><span style="font-family: georgia; font-size: 13.6px;"><p><span style="font-family: georgia; font-size: 13.6px;"><br /></span></p>So thrilled to share with you that my mini suite of poems titled "Four Poems for the Future" is now published in the July 2022 issue of <i>Philippines Graphic Reader</i>, the literary magazine of<i> Philippines Graphic</i>.</span><p></p><p><span style="font-family: georgia;"><span style="font-size: 13.6px;">Included in this suite are the works "2022," "Nothing's Too Far," "Flower, Proposed Addendum to Definition of," and "Poem for the Future."</span></span></p><p><span style="font-family: georgia;"><span style="font-size: 13.6px;">Exceptionally happy to see it featured on the front cover of the magazine with an illustration by Jimbo Docena Albano. Many thanks to the literary editor Marra PL Lanot and Editor-in-Chief Psyche Roxas Mendoza for graciously giving these poems a home. </span></span></p><p><span style="font-family: georgia;"><span style="font-size: 13.6px;">It is also heartening to be back in <i>Philippines Graphic</i>; my last work published within its pages was in February 2012 with the poem "How to Not Write Another Story." One could only wish more magazines—like <i>Philippines Free Press </i>and <i>Story Philippines</i>—would return to print publication, reenergized and all too welcome to feature a variety of Filipino literary voices.</span></span></p><p><span style="font-family: georgia;"><span style="font-size: 13.6px;">The <i>Philippines Graphic Reader</i> can be ordered online thru the Lazada link <a href="https://s.lazada.com.ph/s.U9QXV" target="_blank"><b>here</b></a>.</span></span></p><div align="justify"><br /></div><div><span style="font-family: "georgia"; font-size: 13.6px;"><br /></span></div>Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-77936688565608633032022-07-14T09:23:00.000+08:002022-07-14T09:23:25.128+08:00not renewed<p><span style="font-family: georgia; font-size: 13.6px;">In the elevator earlier, I went up with three persons—two men and one lady—from the other office and overheard their lively conversation.</span></p><p><span style="font-family: georgia;"><span style="font-size: 13.6px;">Man 1: "Oo, online ra ang renewal sa driver’s license." (Yes, exam for driver’s license renewal is now online)</span></span></p><p><span style="font-family: georgia;"><span style="font-size: 13.6px;">Lady: "Lisod-lisod pud ang exam noh?" (The exam’s also a bit challenging, right?)</span></span></p><p><span style="font-family: georgia;"><span style="font-size: 13.6px;">Man 2: "Lisod lagi. Exam-exam unya kung naa na diay ta sa kalsada, huna-hunaon pa diay na'to ng mga sign? Mahinumduman pa diay na'to unsay pasabot ana?" (I agree. We take these exams but once we’re on the road, do we really have to think about these signs? Can we even recall what these signs mean?)</span></span></p><p><span style="font-family: georgia;"><span style="font-size: 13.6px;">Me, realizing I had spoken my mind out loud a second too late: "Dapat lang!"</span></span></p><p><span style="font-family: georgia;"><span style="font-size: 13.6px;">The elevator doors slid open, and I stepped out from a space crowded with stupid people as early as 7:45AM.</span></span></p><p><span style="font-family: georgia;"><span style="font-size: 13.6px;">This, my friends, is why road accidents are increasing each year in this country. This, my friends, is basically a result of people paying agencies to get their licenses without having to take the written and practical exams.</span></span></p><div align="justify"><span style="font-family: "georgia";"><span style="font-size: 13.6px; text-align: left;">This, my friends, is called consequence</span><span style="font-size: 13.6px;">.</span></span></div><div><span style="font-family: "georgia"; font-size: 13.6px;"><br /></span></div>Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-72775405342604673142022-05-29T14:24:00.034+08:002022-08-01T10:16:18.729+08:00new poems and fiction in novice magazine, annual print issue no. 4<p><span style="font-family: georgia;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6vLOYyibg8GIrWFy1Wmtz3AgkVGa6_P_XV11mR3iGrEmMAO6j2aY3T3KUXYqA4UmXbqRTXACurLclOGVOL6iXpOp_R3E-emZm66pGQj_3-G7gEqdz3tZmD4guILji4s_zf95K4JWlMJ5XQD7s4c_TyZt4vQAE-JMp-A26dVC6MoicFOzX3T2lvNtw/s1350/Novice%20Magazine,%20Issue%204%20a.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1350" data-original-width="1080" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6vLOYyibg8GIrWFy1Wmtz3AgkVGa6_P_XV11mR3iGrEmMAO6j2aY3T3KUXYqA4UmXbqRTXACurLclOGVOL6iXpOp_R3E-emZm66pGQj_3-G7gEqdz3tZmD4guILji4s_zf95K4JWlMJ5XQD7s4c_TyZt4vQAE-JMp-A26dVC6MoicFOzX3T2lvNtw/w320-h400/Novice%20Magazine,%20Issue%204%20a.jpg" width="320" /></a></span></div><span style="font-family: georgia;"><br /><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: 13.6px; text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: 13.6px; text-align: left;">So the news is finally out. My works of poetry and prose will be published in the 4th annual print issue of </span><i style="font-size: 13.6px; text-align: left;"><a href="https://www.noviceph.com/" target="_blank">Novice Magazine</a></i><span style="font-size: 13.6px; text-align: left;">, a print and digital art platform that gathers creative works on emerging trends, evolving culture, and everything in between.</span></div></span><p></p><p style="text-align: justify;"><span style="font-family: georgia; font-size: 13.6px;">My poems in the magazine are "Pareidolia in Nine Haikus" and "The Definitive Abandon (or The Centipede)."</span></p><p style="text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-T0J4CE4gVppgWfe4X_QJieddRMrpVzCgVVd9pDCovlG4T33vOgi_uSCxSyvMI4cRT8twodRJNz2JC75VjPjg-Fd2h1uFsW3KMCPA2_dVtnitu0VvoDGpzvzUHSE0Vfxp2weuMm7C1hckojMNcWi8N2rOd4oEpReZUa9XT4kUVUxfgttaEfnmQ_iW/s1350/Novice%20Magazine,%20Issue%204%20b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1350" data-original-width="1080" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-T0J4CE4gVppgWfe4X_QJieddRMrpVzCgVVd9pDCovlG4T33vOgi_uSCxSyvMI4cRT8twodRJNz2JC75VjPjg-Fd2h1uFsW3KMCPA2_dVtnitu0VvoDGpzvzUHSE0Vfxp2weuMm7C1hckojMNcWi8N2rOd4oEpReZUa9XT4kUVUxfgttaEfnmQ_iW/w320-h400/Novice%20Magazine,%20Issue%204%20b.jpg" width="320" /></a></div><span style="font-family: georgia; font-size: 13.6px; text-align: left;"><p style="text-align: justify;"><span style="font-family: georgia; font-size: 13.6px; text-align: left;"><br /></span></p>My works of prose are the flash fiction entries "The Price We Pay," "It Is More Infinite in Silence," and "Dear Reader."</span><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMqs-DBpLbLGXoe_qAC4qTskgTBHQbN-HzsuGzJ41Kz51qvHM_ydnWEWGHOlqKhhf0YZq2TRt3f_SU2w-GzYm0RN_j_rBdT8oPovNBKSqz62t4FDqPHflXIjpTatXizY4HmOLWrqR5P7sogY-8n44Jj8hVtw0KG1isKbtPjaPfpmDEvJCtqkXj4b9P/s1350/Novice%20Magazine,%20Issue%204%20c.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1350" data-original-width="1080" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMqs-DBpLbLGXoe_qAC4qTskgTBHQbN-HzsuGzJ41Kz51qvHM_ydnWEWGHOlqKhhf0YZq2TRt3f_SU2w-GzYm0RN_j_rBdT8oPovNBKSqz62t4FDqPHflXIjpTatXizY4HmOLWrqR5P7sogY-8n44Jj8hVtw0KG1isKbtPjaPfpmDEvJCtqkXj4b9P/w320-h400/Novice%20Magazine,%20Issue%204%20c.jpg" width="320" /></a></div><p><span style="font-family: georgia; font-size: 13.6px;">Excited to see these written works alongside the most exciting art from Filipino creatives to date. This is the first time in a long while that I'll have this much work printed in one publication. I hope you can get a copy. Details to be announced soon.</span></p><p><span style="font-family: georgia; font-size: 13.6px;">[ <i>photos borrowed from Novice Magazine's Facebook page </i>]</span></p><div><br /></div>Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-44349859905314130442020-02-29T10:00:00.000+08:002020-03-06T23:45:49.575+08:00new poems published in katitikan<div align="justify">
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<span style="font-family: "georgia"; font-size: 85%;">Two of my poems—“Cleaning the Attic” and “Sky Over Cairns”—are in the second issue of <i>Katitikan</i>, the Literary Journal of the Philippine South.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">This latest edition, which is now live and can be viewed <i><b><a href="https://katitikan.com/issue-2/" target="_blank">here</a></b></i>, taps on the theme of “Space and Place.” Today’s Leap Day is not that bad after all.
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<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-17110183821202395402020-02-24T22:02:00.001+08:002020-02-24T22:02:32.224+08:00from father to daughter: the lasting art of napoleon abueva<div align="justify">
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<span style="font-family: "georgia"; font-size: 85%;">In the afternoon of February 19, 2020, packs of students, teachers, cultural workers, artists and guests came to the National Museum-Bohol for “The Life and Times of National Artist Napoleon ‘Billy’ Veloso Abueva.” It was a talk that was recounted by the artist’s daughter, Amihan Valles Abueva.</span><br />
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<span style="font-family: georgia; font-size: 85%;">Contrary to popular belief and what is circulating online, Billy was born in Manila, not in Bohol, on January 26, 1930. But this does not negate the artist’s connection to the province. He is after all the son of Boholano congressman Teodoro Lloren Abueva and Purificacion Gonzalez Veloso, a Cebuana who became president of the Women’s Auxiliary Service. He was born Esabelio (that’s why he’s called Billy by family and close friends), but he took the moniker “Napoleon” after his time with the nuns at St. Joseph Academy who kept crying out “Napoleon Bonaparte!” whenever they found him being mischievous for the nth time.</span><br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc84QYzSt3yrdmLF3Q4qqcdFsFiuHfjjjgRSrYM65x4vzhXSVWfzfiZfLwCe07egYNMnJP-6UtKTTOX7NwMyfAV_fIj_sMlluILDb-2GPEp9xty-y1TIHaHHacXP330P_8WWKEEieVtgQ/s1600/Abueva+-+Photo+1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1201" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc84QYzSt3yrdmLF3Q4qqcdFsFiuHfjjjgRSrYM65x4vzhXSVWfzfiZfLwCe07egYNMnJP-6UtKTTOX7NwMyfAV_fIj_sMlluILDb-2GPEp9xty-y1TIHaHHacXP330P_8WWKEEieVtgQ/s400/Abueva+-+Photo+1.jpg" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div class="MsoNoSpacing">
<span style="font-family: "Book Antiqua","serif"; font-size: 10.0pt;"><i>Amihan
with a bronze self-portrait bust of National Artist for Sculpture</i></span></div>
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<span style="font-family: "Book Antiqua","serif"; font-size: 10.0pt;"><i>Napoleon
“Billy” Abueva.</i><o:p></o:p></span></div>
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<span style="font-family: georgia; font-size: 85%;">Billy had even lived a significant portion of his life here, together with his own family, as evidenced by his contributions to the province: The statues of Pres. Carlos P. Garcia and Dagohoy; the Risen Christ in Our Lady of Lourdes Parish in K of C; the tombstone behind St. Joseph statue at the Cathedral façade; the memorial structure in Balitbiton, Valencia; and the Blood Compact monument (which unfortunately has no plaque or telling signs of origin and artist despite its relevance to Bohol). There are more artworks in the Abueva residence in Duero. All this makes Billy as Bol-anon as the rest of us.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">The tribute was a fitting addition to the National Arts Month activities in Bohol, since it was held just three days after the artist’s second death anniversary. Amihan, being an artist herself who usually works with fabric, had lovingly woven the life and works of his father with so much nuance and color.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">Amihan shared that her grades in school didn’t matter to her father that much, as long as she would narrate to him the questions she had asked in her classes each day. Curiosity and discovery were important to the family. Billy was also supportive of her political inclinations that he would even suggest to Amihan that he will drive her to a rally in Mendiola. Another anecdote that was amusing for its candidness was when Billy, pressed with a deadline and taken over by temper, would reprimand his art assistants. But they would only laugh behind his back because, like several times before that, they knew Billy will serve them drinks and food when he will eventually realize it is unbecoming of him to get mad at them. “He is a generous artist,” Amihan said.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifUtKtaOyWVGRtQM4CrWNl3_p4deOPdCvP7DUzz-JXQynoUQ8stSeR8qp2YQdVneLiUB0CgFEVjIOPF9TP5cmwaOUlxxQ2-pali4lCYfSXX9jg1C2C66r7t3Fqgx-dC9s927H1CLuq2dY/s1600/Abueva+-+Photo+3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifUtKtaOyWVGRtQM4CrWNl3_p4deOPdCvP7DUzz-JXQynoUQ8stSeR8qp2YQdVneLiUB0CgFEVjIOPF9TP5cmwaOUlxxQ2-pali4lCYfSXX9jg1C2C66r7t3Fqgx-dC9s927H1CLuq2dY/s400/Abueva+-+Photo+3.jpg" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Book Antiqua","serif"; font-size: 10.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;"><i>A stainless steel sculpture titled “Family Group.”<br />This
is just one of the many works by Napoleon Abueva<br />that are currently on display in
the Pagpauli (Homecoming) Exhibit<br />at the National Museum-Bohol (the old Capitol
Building, located across Rizal Park).</i></span></td></tr>
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<span style="font-family: georgia; font-size: 85%;">For Billy’s body of works, one that gave him the status of being the Father of Modern Philippine Sculpture, Amihan framed her discussion within the trends and significant movements of our history—from World War II and the rise of anti-colonial movements, the anti-racism and civil rights movements, the beginnings of feminism and gender equality, the struggle for democracy and human rights, down to technological advancements and the environment.</span><br />
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<span style="font-family: georgia; font-size: 85%;">This was not only a fascinating peek into an artist’s mind but also a confirmation on the inseparability of politics and arts, the relationship between the environment and the creative process. For Billy, the youngest recipient of the National Artist title to date, the political has always been personal and vice versa. Nothing is made out of a void. And Amihan understands this very well. She is not only a daughter, a mother, and an artist, but also a child rights advocate and human rights activist. In fact, she is one of those at the forefront of opening the doors to child protection, here and abroad, ensuring that children are protected from violence, trafficking, and sexual exploitation.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIN27txifqyHXk2G4GA6GVr41XhkzShRo8HcTQGGICaM9K9ZRy_yK1U2TtcRCd3l40GOBI8WILa8OVJ3PX8CIkwKCYkq_T48h_A99QQSFYWXuUhdtJazmPhQ0_yUUwgQ1LyXdP44BsuVY/s1600/Abueva+-+Photo+5.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIN27txifqyHXk2G4GA6GVr41XhkzShRo8HcTQGGICaM9K9ZRy_yK1U2TtcRCd3l40GOBI8WILa8OVJ3PX8CIkwKCYkq_T48h_A99QQSFYWXuUhdtJazmPhQ0_yUUwgQ1LyXdP44BsuVY/s400/Abueva+-+Photo+5.jpg" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Book Antiqua","serif"; font-size: 10.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;"><i>A rare copy of a self-published book that contains<br />some of Billy’s masterpieces and the history behind them.</i></span></td></tr>
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<span style="font-family: georgia; font-size: 85%;">During the open forum, after National Museum-Bohol Head Audrey Dawn Tomada and Gov. Arthur Yap had given Amihan her certificate, I asked her this question: </span><b style="font-family: georgia; font-size: 85%;">"As an artist and human rights advocate, what words of guidance or encouragement can you give to artists, especially the young ones, in this time of abuse, divide, and disinformation? What can be done? What must be done?"</b><br />
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<span style="font-family: "georgia"; font-size: 85%;"><b>“Be courageous. Be creative,”</b> Amihan said. “Because artists have a very special role in helping others understand these key issues—disinformation, fake news, tyranny.”</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">Amihan then highlighted this need to inform and be informed with a question to the audience: “People have been killed in the last three years. For a country that is supposed to be Christian and Catholic, <i>nganu maghilom man ta?”</i></span><br />
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<span style="font-family: "georgia"; font-size: 85%;">Amihan also added: “When there are crises, this is the time that the artists come out… If you notice in the times of rebellion, in the times of revolt, <i>diha nanggawas ang mga maayong writer, mga maayong painter.</i> So this is a golden time. Unfortunately, it is a bad time for the victims. But for us who keep on fighting, I think it is a good time to continue the struggle for dignity, for human rights… Stay courageous, stay creative, don’t lose hope.”</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">Indeed, this boldness runs in the Abueva family, and most definitely manifests in the works of Napoleon “Billy” Abueva. Although his art is informed by the different years of celebration and turmoil in his surroundings, whether in the Philippines or outside its borders, Billy’s masterpieces remain to be both current and future-bound. His sculptures are timeless. Each has a distinct way of mirroring the present but one that is also looking forward. It exudes a creative wisdom that is eager. It is courageous.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">[ <i>This article is first published in The Bohol Chronicle on February 23, 2020</i> ]</span></div>
<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-2880104035988667492020-01-13T11:53:00.000+08:002020-01-13T15:06:57.637+08:00new year, same problems<div align="justify">
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<span style="font-family: "georgia"; font-size: 85%;">Climate change has been a serious concern for many, many decades, and we simply brush them off anyway because, you know, we keep telling ourselves, “What could happen here?”</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">Duh.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">Despite the increasing number of signs—raging storms, beached whales, earthquakes, droughts, wildfires and blizzards, a flower blooming its last bloom—we simply laugh.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">Or we drink. We take selfies. We share memes. We say, “Happy New Year!” We smoke our cigarettes. We desire the latest iPhone. We drive our third cars. We make more babies. We travel because “we travel not to escape life but for life not to escape us.” We eat our cakes. We mine our mountains. We make “art.” We shoot the birds in the skies. We ridicule those who clean up beaches and hug trees. We cut more trees. We swim with whale sharks. We fume at the protesters and rallies in the streets. We share our “thoughts and prayers.” We go to the movies. We say, “We are only human.” We say, “Whatever makes people happy.” We dance and sing. We gossip over wine and cheese. We elect the same shit. We throw our trash anywhere. We pee everywhere. We do not talk to our exes. We continue with our lies. We maintain multiple profile accounts on Facebook. We update our Spotify playlists. We “move on.” We dramatize the same sunset. We look at the full moon. We feel #blessed.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">Meanwhile, corporations and our leaders and our governments take advantage of our collective indifference, our misgivings, our lapses.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">Now we face the consequences.</span></div>
<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-39183945678128839602020-01-01T08:30:00.000+08:002020-01-13T11:50:11.535+08:00happy 2020<div align="justify">
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<span style="font-family: "georgia"; font-size: 85%;">Yes, we all want peace, the comfortable, the quiet. But when resistance and unclouded introspection are needed, we must break the silence. 2020 is our chance to not only correct our mistakes but also to magnify our collective voices for the common good, for the common people.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">Heads up, guys. It's going to be a bumpy ride.</span></div>
<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-63103128432878251842019-12-31T23:58:00.000+08:002020-01-13T11:48:11.696+08:00one chapter down<div align="justify">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgR7GNxFU9iScNhHET5jPkNB2dp2t5majhTUa0_4NEv3K_xWMpvhtxP3WvCsA3xvTMWZVtEnOm8t_7bh_MkYru7rvzeg3JJBYSAV9bZ2kaoCuUPn2DRBR4wU1z7gl3TTJ9YttXYxIoCaX8/s1600/project_20191231_185147.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgR7GNxFU9iScNhHET5jPkNB2dp2t5majhTUa0_4NEv3K_xWMpvhtxP3WvCsA3xvTMWZVtEnOm8t_7bh_MkYru7rvzeg3JJBYSAV9bZ2kaoCuUPn2DRBR4wU1z7gl3TTJ9YttXYxIoCaX8/s400/project_20191231_185147.png" width="300" /></a></div>
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<span style="font-family: "georgia"; font-size: 85%;">Nothing elaborate. No new me. No kilometric year-ender essay writing contribution. Just a photo of me to remind myself, perhaps a year later or so, that there was a moment in this life that I have a genuine reason to smile. Let’s just say 2019 is hard, and a majority of the 2010-2019 decade harder, but thanks to everyone who endured with me both delightful and agonizing experiences, these affairs eventually accumulated to that reason. Hope to see you all again in 2020 with much better reasons to smile.</span></div>
<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-73174077705444879172019-12-27T10:30:00.000+08:002020-01-13T11:45:35.694+08:00everyday christmas<div align="justify">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi3sAS0y_uhhTmBOQhQziz34H6WQdN5U_iPoRVDYcN-mhXosAS9eMxluoGaUjvQExVaCD2qiV5rNUJHYbUEsa6gh016Lc3ruPBIVozqaK0ihc2-eNptK7CboPQpTr2Vp-BDvZz9Wcr3WY/s1600/project_20191227_113615.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi3sAS0y_uhhTmBOQhQziz34H6WQdN5U_iPoRVDYcN-mhXosAS9eMxluoGaUjvQExVaCD2qiV5rNUJHYbUEsa6gh016Lc3ruPBIVozqaK0ihc2-eNptK7CboPQpTr2Vp-BDvZz9Wcr3WY/s400/project_20191227_113615.png" width="300" /></a></div>
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<span style="font-family: "georgia"; font-size: 85%;">Since her birthday is also on Christmas Day, it feels like every day is also her birthday the whole month of December. Yey!</span></div>
<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-62561954537893468372019-12-25T09:30:00.000+08:002020-01-13T14:08:24.470+08:00dear ma<div align="justify">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdsAOZBPlUyVS0zbyZfnBPjXH5bQLK8RevWs7C_cicpYj5nR4BwyFXrAQC5JhaO2mfGljKhoN1apYeUKOai24fzcC7uQRc3ZuSzQ4RDvVxnQem1TGY-VxzDdCaV3RIXnz_8qhW5Ug4gWM/s1600/project_20191225_191245.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdsAOZBPlUyVS0zbyZfnBPjXH5bQLK8RevWs7C_cicpYj5nR4BwyFXrAQC5JhaO2mfGljKhoN1apYeUKOai24fzcC7uQRc3ZuSzQ4RDvVxnQem1TGY-VxzDdCaV3RIXnz_8qhW5Ug4gWM/s400/project_20191225_191245.png" width="300" /></a></div>
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<span style="font-family: "georgia"; font-size: 85%;">Just a few words: Christmas Day is always exceptional because of you, and what I want for Christmas is to have more Christmas Days with you—stronger, healthier, happier—so we could travel together more to places you have not traveled to in your prime.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">Happy birthday, Ma, and I love you. </span></div>
<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-50130607777787049712019-12-24T23:49:00.000+08:002020-01-13T11:41:26.957+08:00merry christmas!<div align="justify">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmPltuUNAPlwz0UexlHM3Q0QFqwW_ui_1wXtois8FMiaH14WU2F2h01yIrjo2bok0CXHFakMzzn9I7KBTe_MdauuGMKmS5dSYlpRpzmZzbbSclYlxrmEkk9sq2k5OgoJIhNhyphenhyphenLzq_5kdc/s1600/project_20191225_005231.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmPltuUNAPlwz0UexlHM3Q0QFqwW_ui_1wXtois8FMiaH14WU2F2h01yIrjo2bok0CXHFakMzzn9I7KBTe_MdauuGMKmS5dSYlpRpzmZzbbSclYlxrmEkk9sq2k5OgoJIhNhyphenhyphenLzq_5kdc/s400/project_20191225_005231.png" width="300" /></a></div>
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<span style="font-family: "georgia"; font-size: 85%;">May your Christmas Day bloom with so much joy and blessings, and your loved ones blossom into more beautiful, compassionate souls. That’s my yuletide wish for you.</span></div>
<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-16135303470228575562019-12-22T11:17:00.000+08:002020-01-13T11:33:04.933+08:00new poem for the holidays in the sunday times magazine<div align="justify">
<span style="font-family: "georgia"; font-size: 85%;">Happy holidays, my loves! My poem “The Walk Toward Home on a Holiday Season” is published today in <i>The Sunday Times Magazine</i> (22 December 2019), the magazine supplement of <i>The Manila Times newspaper</i>. This will be my Christmas treat for you!</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">You can buy the paper at your nearest newsstands and bookstores. Here is a <a href="https://www.manilatimes.net/2019/12/22/weekly/the-sunday-times/literary-life/the-walk-toward-home-on-a-holiday-season/666258/?fbclid=IwAR09qtG1lRTnnuTe5n417dak3waYjk6LEZzFMwMVYd8ysnl3x7KzLLt6xic" target="_blank">link</a> to the poem in case you can’t get a physical copy.
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<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-49031105666929881112019-12-15T10:00:00.000+08:002020-01-13T11:32:11.008+08:00how to make an accident<div align="justify">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYP4M85OHRC9QnU4hXJJjTqO8zPhf1QBJbuBqEoqq3cZP92k3zVs4Yz_3A_hMuH6UN1o4rAmXOm92_dIx32dyZwNxtFWS0Pr-2LFfTyo3Ma82XX_2YwYmxHulJ1Av-LYvIAsyf8VTEGF4/s1600/80678612_10157623035641815_7516729080566251520_o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1350" data-original-width="1080" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYP4M85OHRC9QnU4hXJJjTqO8zPhf1QBJbuBqEoqq3cZP92k3zVs4Yz_3A_hMuH6UN1o4rAmXOm92_dIx32dyZwNxtFWS0Pr-2LFfTyo3Ma82XX_2YwYmxHulJ1Av-LYvIAsyf8VTEGF4/s400/80678612_10157623035641815_7516729080566251520_o.jpg" width="320" /></a></div>
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">A passerby stopped by the table, paused, and asked me, how are we supposed to create an accident? Is it even still an accident? I said, it is for you to find out within its pages.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;"><i>How to Make an Accident</i> is my second collection of poems. Just leave a message if you want to get a copy.</span></div>
<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-37274647017970141782019-12-02T11:37:00.000+08:002019-12-02T11:37:08.156+08:00my latest poem published in the sunday times magazine<div align="justify">
<span style="font-family: "georgia"; font-size: 85%;">I just got a new poem, "The Wait at the Doctor's Clinic," recently published in <i>The Sunday Times Magazine</i> (10 November 2019), the magazine supplement of <i>The Manila Times </i>newspaper. So happy this made print; I literally wrote this while I waited for my turn at the doctor's clinic.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span><span style="font-family: "georgia"; font-size: 85%;">It is also available online. Here is a <i><a href="https://www.manilatimes.net/2019/11/10/weekly/the-sunday-times/literary-life/the-wait-at-the-doctors-clinic/654698/" target="_blank">link</a> </i>to the poem.</span></div>
<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-19134656086337519792019-11-17T11:33:00.001+08:002019-11-17T11:33:06.405+08:00call for manuscripts to the 59th silliman university national writers workshop<div align="justify">
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<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">The Silliman University National Writers Workshop is now accepting applications for the 59th Silliman University National Writers Workshop to be held from 27 April to 8 May 2020 at the Silliman University Rose Lamb Sobrepeña Writers Village and the Silliman University campus.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">This Writers Workshop is offering ten fellowships to promising writers in the Philippines who want to have a chance to hone their craft and refine their style. Fellows will be provided housing, a modest stipend, and a subsidy to partially defray costs of their transportation.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">To be considered, applicants should submit manuscripts <b>on or before 6 December 2019</b>. (Extension to the deadline will not be made.) All manuscripts should comply with the instructions stated below. (Failure to do so will automatically eliminate their entries).</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">Applicants for Fiction and Creative Nonfiction fellowships should submit three to four (3-4) entries. Applicants for Poetry fellowships should submit a suite of seven to ten (7-10) poems. Applicants for Drama fellowships should submit at least one (1) One-Act Play. Each fiction, creative nonfiction, or drama manuscript should not be more than 20 pages, double-spaced. We encourage you to stay well below the 20 pages. Aside from manuscripts in Poetry, Fiction, Creative Nonfiction, and Drama that should be written in English, the Workshop will also be accepting manuscripts for Balak (poetry in Binisaya) and Sugilanon [short story in Binisaya]. Applicants should submit a suite of seven to ten (7-10) balak entries with their English translations, or three to four (3-4) sugilanon entries with their English translations.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">Manuscripts should be submitted in five (5) hard copies. They should be computerized in MS Word, double-spaced, on 8.5 x 11 inches bond paper, with approximately one-inch margin on all sides. Please indicate the category (FICTION, CREATIVE NONFICTION, POETRY, ONE-ACT DRAMA, BALAK, or SUGILANON) immediately under the title. The page number must be typed consecutively (e.g., 1 of 30, 2 of 30, and so on) at the center of the bottom margin of each page. The font should be Book Antiqua or Palatino, and the font size should be 12.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">The applicant’s real name and address must appear only in the official application form and the certification of originality of works, and must not appear on the manuscripts. Manuscripts should be accompanied by the official application form, a notarized certification of originality of works, and at least one letter of recommendation from a literature professor or an established writer. All requirements must be complete at the time of submission.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">Send all applications or requests for information to the Department of English and Literature, attention Dr. Warlito Caturay Jr., Workshop Coordinator, 1/F Katipunan Hall, Silliman University, 6200 Dumaguete City. For inquiries, email us at nww@su.edu.ph or call 035-422-6002 loc. 350.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">[ <i>photo borrowed from this <a href="https://su.edu.ph/academics/national-writers-workshop/" target="_blank">site</a></i> ].</span></div>
<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-32426168397280067182019-11-17T11:26:00.003+08:002019-11-17T11:26:38.186+08:00another kid in peril<div align="justify">
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<a href="https://hips.hearstapps.com/hmg-prod.s3.amazonaws.com/images/eli-netflix-movie-3-1571395983.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://hips.hearstapps.com/hmg-prod.s3.amazonaws.com/images/eli-netflix-movie-3-1571395983.jpg" width="400" /></a></div>
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">Now I found this a really good horror movie. I just don’t understand why this is sent straight to Netflix instead of showing it in movie theaters. <i>Eli</i> is the kind of good because of its wackiness. It starts gentle, moody, and then strange (of course), just leisurely ticking off the boxes of anything that you’d expect to see in this kind of movie. The tropes are all here. And then all of a sudden, it is totally not the movie you have imagined it to be the entire time, even in the final minutes. The cast is perfection, especially Charlie Shotwell, Kelly Reilly, and the ever reliable horror staple Lily Taylor. I didn’t mind its pacing and tone. They do serve as the right appetizers for the dessert that’s about to come. <i>Eli</i> is pretty sly. It is littered with moments that spoonfeed you with suggestions that you know what it’s all about. They are easy to spot if you’ve seen countless horror films. Until that third act unravels. It just flips the tables and goes hard for the jugular. There’s this one sequence near the end that’s equal parts poetic and nasty. It’s just crazy! And that’s what makes it fun. Enjoy.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">[ <i>image borrowed from this <a href="https://hips.hearstapps.com/hmg-prod.s3.amazonaws.com/images/eli-netflix-movie-3-1571395983.jpg" target="_blank">site</a></i> ]</span></div>
<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-17348657422147199412019-10-05T21:55:00.003+08:002019-10-05T21:58:49.135+08:00nothing to laugh about<div align="justify">
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<a href="https://www.inquirer.com/resizer/xm-dK7Lm6n7Clbm-Y8uxh-VWxjQ=/1400x932/smart/arc-anglerfish-arc2-prod-pmn.s3.amazonaws.com/public/AFOF5YOJKVHZVJX637JQYYMT5Y.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="266" src="https://www.inquirer.com/resizer/xm-dK7Lm6n7Clbm-Y8uxh-VWxjQ=/1400x932/smart/arc-anglerfish-arc2-prod-pmn.s3.amazonaws.com/public/AFOF5YOJKVHZVJX637JQYYMT5Y.jpg" width="400" /></a></div>
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<span style="font-family: "georgia"; font-size: 85%;">It is inevitable that we finally get the cinematic treatment of a standalone, origin story about Batman’s longtime foe, especially with the hero’s appeal waning throughout the years in the movie theaters. Director Todd Philipps has crafted Joker that consciously distances itself from the current crop of comicbook films. It is brutal, knowingly dark, and has borrowed a lot from noir and psychological thrillers. Philipps knows the strengths of his actors, particularly Robert De Niro, Frances Conroy, and Joaquin Phoenix. Sadly, Zazie Beetz is criminally underutilized here.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">Much adulation has been said about Phoenix’s performance, and all of those are true. You simply cannot ignore Phoenix, just by the sight of him alone in each frame. He has this gangly body like stretched rubber, one that is always at the point of breaking. And break he did. This is an acting that is tremendous, almost grotesque in its unhinged ferociousness. Comparisons to Heath Ledger's Joker in Christopher Nolan’s The Dark Knight are valid. But Phoenix’s Arthur Fleck—the character before it became the infamous Joker—is different. Here is an unlucky man-child who works as a hired clown, dreams of becoming a standup comic, and lives with an ailing mother in a world that is systemically determined to make their lives miserable. It doesn’t help that Fleck has a condition that prompts him to laugh, painfully, at the most unfavorable times.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">The movie has its funny moments (it is <i>The</i> Joker after all), but unlike the quippy Marvel humor, these moments still involve chaos and bloodshed. Yes, bloodshed. And poverty. And confusion. And government budget cuts. And secret bloodlines. And the good old cruelty and manipulative injustices of society. This sounds bleak and hopeless, but that is the point.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">And it makes this movie dangerous.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">It is basically a vivid representation of our flaws, of all that we usually ignore and the consequences we get from doing so. Despite its (successful) attempt at fleshing out the grey areas of our regular excuse of “us being simply humans,” it is terrifying to imagine the glee, the affirmation, people who have been equating mental health issues to something abstract and purely evil could get from this film. It is also difficult to shake off the feeling that it has the potential to heighten the stigma around said issues and to validate revenge fantasies—especially for people with impressionable minds in the age of violent instant gratification, Trump, and Duterte. With a pop culture subject that is as massive and influential as The Joker, it is not funny. It has just become too real and scary.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">[ <i>image borrowed from this <a href="https://www.inquirer.com/entertainment/movies/joker-movie-review-joaquin-phoenix-20191002.html" target="_blank">site</a></i> ]</span></div>
<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-38168505207415926522019-10-05T21:46:00.000+08:002019-10-05T21:49:17.200+08:00agi: the pathways for our literature<div align="justify">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhllUV4vu0rhGmp__VRN-rbLjwwgt1iu1NdFjzqi6H8vTHm_tUU_METrsfirEJY_e15A49t78AY_2tqwGWiB6DDMxJls5Cfai01J_B2IKv3wL0XPA3AawnJVb7_zTPBB1KPCR2JtG8C0PY/s1600/project_20190526_191906.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhllUV4vu0rhGmp__VRN-rbLjwwgt1iu1NdFjzqi6H8vTHm_tUU_METrsfirEJY_e15A49t78AY_2tqwGWiB6DDMxJls5Cfai01J_B2IKv3wL0XPA3AawnJVb7_zTPBB1KPCR2JtG8C0PY/s320/project_20190526_191906.png" width="320" /></a></div>
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<span style="font-family: "georgia"; font-size: 85%;">Words are among our simplest of comforts, but when wielded differently, these are also a source of division and displeasure. That is why, in the recent Agi Creative Writing Workshop—organized by Kaliwat ni Karyapa (KaKa) writers collective, with the support of the Center for Culture and Arts Development of the provincial government of Bohol—these things were held to a higher standard, handled with a master’s care.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">Patterned after the country’s major writers’ workshops, where a panel of distinguished literary artists dissects and studies the participants’ submitted works, Agi is the first of its kind in the province, gathering practicing and emerging writers from different parts of Bohol. The term <i>agi</i> is a Bol-anon word for “handwriting” and “to get through.”</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">The writing fellows are Cathleen Grace B. Dahiroc, Marlene G. Estorosas, Mae Tiffany O. Gallendez, Donita Jeanne Gervacio, Karla Jane Gonser, Anne Genelou D. Hangad, Vanessa Jane Jumoc, Lucell Larawan, Carlo Christopher A. Lelis, Karen Lara M. Libot, Ariel B. Logroño, Mary Rose D. Morales, Ruvyne Gayle A. Nagal, Ruby Angeline A. Pring, John Harvey Reforeal, Ronald T. Salada, and Venice Alyzza L. Ugay, along with two members of KaKa, Dandreb James Arro and Amor Maria J. Vistal.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">The workshop sessions began on May 25 at Reyna’s The Haven and Gardens Hotel, where the first order of business was poetry. The panelists for the day were poets F. Jordan Carnice, Paul Joseph Vistal, and Palanca award winners Rene Eune “Coy” P. Ponte and Noel “Roy” P. Tuazon.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">Since the fellows were a mix of high school students, working millennials and long-employed professionals who reacquainted themselves with their love for writing, the panelists balanced their critiques by pulling the hardest punches, but still aiming for sharp but necessary tough-love advice.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">Criticism is never meant to discourage, but everyone needs to know what can be improved and what should be disposed. For poetry, this includes growing out of comfort zones: to kill your darlings when lines sounded beautiful but gratuitous; to break out of traditional rhyming schemes that constrict, rather than uplift, the poem’s intent; to stop mimicking Hallmark greeting card poetry and Instagram aphorisms by setting aside Lang Leav, Rupi Kaur or Wattpad and then venturing to other literatures; and above all, to read, read, read more works, especially by local writers.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">There was also the dialogue on allusions and central metaphors, heightened language that ushers the reader to insight, ekphrastic poetry, sexism in writing in the 21st century, enjambments and caesura, brevity versus excess, and many others. The standout that day was some of the <i>balak</i>, Visayan works of poetry that were clearly more Bol-anon than Cebuano, capturing the sensibilities of one’s culture and strength of the native tongue.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">May 26 was dedicated to prose works, covering both fiction and creative nonfiction. The workshop was moved to the new Bohol Provincial Capitol near CPG Park, where everybody endured the indoor heat due to the absence of electricity in the building. This only added to the unease of the writing fellows who were at the receiving end of more heated discussions. Luckily, power returned just before lunch. The main panelists for this day were overall workshop coordinator Liza Macalandag and Bonifacio Quirog Jr., along with Carnice, Vistal, Ponte and Tuazon.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">Although nothing is truly original, since an idea is a reflection of reality or response to another idea, the critiques still touched on inventiveness and demands of narrative, requiring the fellows to ask themselves these: What does “show, don’t tell” mean? What makes this narrator’s point of view distinctive, but still relatable? How do I avoid becoming didactic, but still driving home the point?</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">The temptations of purple prose, the wasted opportunities of going back to heritage for story material, and the phallic undertones (or overreadings?) of some of the pieces were among those that animated the discussions. In the end, whether the story is sci-fi, horror, a recording of personal angst or an excerpt of a longer memoir, the consensus for any literary work is that substance should always trump form. The skeleton needs organs and muscles for the body to move.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">After the workshop sessions, the panelists were impressed that, despite of the unsavory words that came with the praises, nobody among the fellows cried or left the room in a fury, unlike many of the panelists’ past workshop experiences. But when they were asked to share their thoughts about the workshop, tears were shed. They agreed that this two-day fellowship was an opportunity too rare for anyone to pass, especially in Bohol, and they were beyond grateful that they were gifted with the space to identify themselves with another writer, to unload questions they were fearful to ask (ironically) in classrooms, and to refine their craft while getting the chance to connect with other literary artists in the province.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">This response proves that there is a desire for a community of writers in Bohol, that there is passion for writing and critical thinking despite the constant assault of misinformation these days. There are already several writers workshops held annually in the country, serving as major rites of passage for aspiring writers, but they are mostly outside of Bohol — the Silliman University National Writers Workshop in Dumaguete City, the IYAS Creative Writing Workshop in Bacolod City, the Iligan National Writers Workshop and the many university-led workshops in Manila, to name a few.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">Finally, Bohol has the Agi Creative Writing Workshop, a gathering everybody hopes would be institutionalized and reach its golden anniversary in the future. Because, like reading, writing must never end. Writing our literatures is fundamental because, no matter the place, it is a way of memorializing (and learning from) our nation’s traumas and triumphs.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">But Agi is not just about writing and establishing one’s penmanship in the country’s many literary expressions. It is about creating pathways for new writers and tirelessly following the journey of history and heritage of a people. And based on the direction this workshop is going, it is on the right track.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">[ <i>this <a href="https://www.manilatimes.net/bohols-agi-writing-workshop-the-pathways-for-our-literature/566489/" target="_blank">article</a> is published in The Sunday Times Magazine of The Manila Times on June 9, 2019 and an abridged version is published in The Bohol Chronicle on June 2, 2019 </i>].</span></div>
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<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-85223530488369075252019-05-13T14:25:00.000+08:002019-05-13T14:25:07.886+08:00midterm elections 2019 thoughts and tidbits<div align="justify">
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<span style="font-family: "georgia"; font-size: 85%;">Election day is perhaps one of the few days to get your hands dirty. Well, just a fingernail actually. </span><br />
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<span style="font-family: "georgia"; font-size: 85%;">* </span><br />
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<span style="font-family: "georgia"; font-size: 85%;">You can’t mock and shame people for posting photos of their inked fingernails on social media, regardless of who they voted. They did a mighty job fulfilling their duty as a responsible citizen. Kudos to them, kudos to everyone!</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">If it’s up to me and it is completely legal to have all of my fingernails doused in COMELEC-issued indelible ink, I’d gladly grab the chance and take hundreds of pictures of my nails for posting on every social media account I have. Kebs ninyo.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">*</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">Woke up at 5AM to get to our precinct before 6AM. Arrived at Eastern Cogon Elementary School, double-checked my name in the lists in Cluster 33. Took the queue; I was the third person in line. Early bird, right? At exactly 6:15AM, I accomplished my ballot.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">Funny thing was the machine accepted and scanned our ballots (mine and my sister’s), but once the ballot receipts were printed, the screen on the machine showed this “paper jam” error message. Thankfully though, the receipt correctly mirrored our votes. The inspector called a technician for assistance, but all the technician ever did was shake and slap the machine. You know, like what people do with old TV sets back then? All the slapping and shaking curiously worked, and so the machine readily receives another ballot. But then another paper jam message will show up. Another round of shakes and slaps. It was like this for every ballot inserted. The machine is basically faulty or broken. The Philippines is one gigantic comedy show.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">*</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">I voted as early as 6AM because I needed to watch Game of Thrones hours later without guilt. After the show, it saddens me when I realize that what just happened on Game of Thrones today is basically like Duterte-era Philippines.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">So guys, I pray, please vote wisely and with the future in mind. We can truly change this.</span></div>
<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-1356078374134627982019-03-31T16:26:00.000+08:002019-03-31T16:26:00.055+08:0031<div align="justify">
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<span style="font-family: georgia; font-size: 85%;">My heartfelt gratitude goes to everyone who remembered and greeted me on my birthday yesterday.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">People say you become wiser with age. Although wishful thinking dictates it has a smidgen of truth, I just think you become equal parts jaded, dumbfounded, and generally exhausted, especially with all the happenings in this world.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">But the fortunate thing here is that (if you are fortunate enough) you find people around you who are as jaded, dumbfounded, and exhausted as you are. Kidding aside, what I want to say is that you have to have a support system, and I am thankful I have my family with me and very few friends who I can genuinely call friends throughout these years. And pinpointing them out is hard, TBH.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">Many fear the coming of 31, that it’s like jumping over a cliff with unknown heights, or finally crossing the three decades prior with inadequate life skills and experiences to prepare you for the next decades or so. I guess some of these are true, some not. There will always be questions that will continue to nag you.
Have you done enough?</span><br />
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<span style="font-family: "georgia"; font-size: 85%;"><i>Have you corrected and made peace with the errors you’ve made in life? Are the choices you make benefit you and you alone? And after everything you have achieved, are you truly happy?</i></span><br />
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<span style="font-family: "georgia"; font-size: 85%;">These are valid questions, concerns. Ultimately, to me, what matters is that you know deep within your compass that you know where you are supposed to be, what you are supposed to do, whatever your age is. To hell with where the rest are going and are doing.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">To borrow and paraphrase a few words from our queen mother RuPaul, shantay wherever you want to sashay.</span></div>
<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-73339293839366021482019-03-16T22:20:00.002+08:002019-03-16T22:20:41.400+08:00birth month<div align="justify">
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<span style="font-family: "georgia"; font-size: 85%;"><b>The Two-Headed Calf</b></span><br />
<span style="font-family: "georgia"; font-size: 85%;">Laura Gilpin</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">Tomorrow when the farm boys find this</span><br />
<span style="font-family: "georgia"; font-size: 85%;">freak of nature, they will wrap his body</span><br />
<span style="font-family: "georgia"; font-size: 85%;">in newspaper and carry him to the museum.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">But tonight he is alive and in the north</span><br />
<span style="font-family: "georgia"; font-size: 85%;">field </span><span style="font-family: georgia; font-size: 85%;">with his mother. It is a perfect</span><br />
<span style="font-family: "georgia"; font-size: 85%;">summer evening: </span><span style="font-family: georgia; font-size: 85%;">the moon rising over</span><br />
<span style="font-family: georgia; font-size: 85%;">the orchard, the wind in the grass. </span><span style="font-family: georgia; font-size: 85%;">And</span><br />
<span style="font-family: georgia; font-size: 85%;">as he stares into the sky, there are</span><br />
<span style="font-family: georgia; font-size: 85%;">twice as many stars as usual.</span><br />
<span style="font-family: georgia; font-size: 85%;"><br /></span>
<span style="font-family: georgia; font-size: 85%;"><br /></span>
<span style="font-family: georgia; font-size: 85%;">*</span><br />
<span style="font-family: georgia; font-size: 85%;"><br /></span>
<span style="font-family: georgia; font-size: 85%;">I am drawn to this poem by Laura Gilpin again and again in the past few days and I still couldn’t prevent myself from being pierced by what it is trying to convey. This is one of the few poems that has the same effect on me as “Allowables” by Nikki Giovanni and “The Diameter of the Bomb” by Yehuda Amichai did when I first read them. It just leaves me like a massive wreck, my nose stuffy and my eyes puffy.</span><br />
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<span style="font-family: georgia; font-size: 85%;"><br /></span>
<span style="font-family: georgia; font-size: 85%;">*</span><br />
<span style="font-family: georgia; font-size: 85%;"><br /></span>
<span style="font-family: georgia; font-size: 85%;">Perhaps the reason why I gravitate to this poem lately is that there is this one revelation last year, in 2018, that keep recurring to me in the present. It is the shock of finding out, as I was cleaning my contact list on Facebook, that a person—a person who is once close to me—now has a profile that is labeled “Legacy Contact.” The term meant a person has passed away.</span><br />
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<span style="font-family: georgia; font-size: 85%;">The information came to me in 2018. The actual person left three years prior. The thought bothered me the past few days because, on the year of the person’s departure, I received a message from this person and I chose to ignore it. It was a one-worded message: “Fred.” It was like a call, it sounded like a concern, or an opening to a confession that needed attention, but I kept silent for reasons that were deemed appropriate during that time.</span><br />
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<span style="font-family: georgia; font-size: 85%;">Today I wonder what would have been our conversations like if I had responded to the message. I will never know.</span><br />
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<span style="font-family: georgia; font-size: 85%;"><br /></span>
<span style="font-family: georgia; font-size: 85%;">*</span><br />
<span style="font-family: georgia; font-size: 85%;"><br /></span>
<span style="font-family: georgia; font-size: 85%;">I didn’t give it much thought until recently, when I had been to several birthday gatherings of friends and family in just two weeks, that I realized this month, March, is my birth month. Yes, I am turning a year older in a couple of days. How fleeting time is, right? How short-lived the days could get when you fill them with distractions in an effort to finally say you accomplish something right in your life.</span><br />
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<span style="font-family: georgia; font-size: 85%;">So this begs the question: Is this all there is to it?</span><br />
<span style="font-family: georgia; font-size: 85%;"><br /></span>
<span style="font-family: georgia; font-size: 85%;">Will there be another time in this repetitive existence when we (both) look up into our respective skies and see there are twice as many stars, as usual, and feel everything is all right? Still all right? One could only hope so.</span></div>
<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-42304026089416055592019-03-02T21:16:00.001+08:002019-03-02T21:16:13.790+08:0058th silliman university national writers workshop fellows<div align="justify">
<span style="font-family: "georgia"; font-size: 85%;">Silliman University, together with the National Commission for the Culture and the Arts, presents the 58th edition of the Silliman University National Writers Workshop on April 29 to May 10 at the Rose Lamb Sobrepeña Writers Village in Camp Look-out, Valencia, Negros Oriental and the SU Campus. Here are the 10 writing fellows of Batch 2019:</span><br />
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<span style="font-family: "georgia"; font-size: 85%;"><b>Poetry</b></span><br />
<span style="font-family: "georgia"; font-size: 85%;">Arielle Abrigo (Antipolo City)</span><br />
<span style="font-family: "georgia"; font-size: 85%;">Alsteine Diapana (Cebu City)</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;"><b>Balak</b></span><br />
<span style="font-family: "georgia"; font-size: 85%;">Jefferson Del Rosario (Danao City)</span><br />
<span style="font-family: "georgia"; font-size: 85%;">Dave Pregoner (Lapu-Lapu City)</span><br />
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<span style="font-family: "georgia"; font-size: 85%;"><b>Fiction </b></span><br />
<span style="font-family: "georgia"; font-size: 85%;">Kaisa Aquino (Quezon City)</span><br />
<span style="font-family: "georgia"; font-size: 85%;">Catherina Dario (Muntinlupa City)</span><br />
<span style="font-family: "georgia"; font-size: 85%;">Samuel Evardone (Metro Manila)</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;"><b>Creative Nonfiction</b></span><br />
<span style="font-family: "georgia"; font-size: 85%;">Donna Patricia Manio (Imus City)</span><br />
<span style="font-family: "georgia"; font-size: 85%;">Cavite
Riddick Recoter (Metro Manila)</span><br />
<span style="font-family: "georgia"; font-size: 85%;">Maria Gliceria Valdez (Davao City)</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">Tara Eunice de Leon and Jhudiel Brigid Plando will join them as special fellows for fiction and nonfiction respectively.
Two applicants have also been invited as special workshop mentees: Alter Hofileña (Misamis Occidental) and Geormie Yanoc (Mabinay, Negros Oriental).</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">The panel of writers/critics for this year includes Director-in-Residence Anthony Tan, resident writers Cesar Ruiz Aquino and Ian Rosales Casocot, as well as regular panelists Alfred Yuson and Marjorie Evasco. They will be joined by guest panelists Rica Bolipata-Santos, Simeon Dumdum Jr., Susan Lara, Grace Monte de Ramos, and National Artist for Literature Resil Mojares.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">Beginning last year, the Workshop has been accepting manuscripts for Balak (poetry in Binisaya) with corresponding English translation. The inclusion of Balak has further enriched workshop discussion regarding the craft of poetry rendered in different languages and the cultural nuances that underpin such expression.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">Founded in 1962 by S.E.A. Write Awardee Edilberto K. Tiempo and National Artist Edith L. Tiempo, the workshop is the oldest creative writing workshop of its kind in Asia. It was recently given the Tanging Parangal in the Gawad CCP Para sa Sining by the Cultural Center of the Philippines. The Silliman University National Writers Workshop continues the legacy of the Tiempos in giving value to literature and creative writing in the Philippines.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">For more information about forthcoming events during the workshop, e-mail Workshop Coordinator Lady Flor Partosa at nww@su.edu.ph or call the Department of English and Literature at (035) 422-6002 loc. 350.
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<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">[ <i>article lifted from the Edilberto and Edith Tiempo Creative Writing Center Facebook <a href="https://www.facebook.com/sillimanCWC/" target="_blank">page</a></i> ]</span></div>
<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-23013819237509422452019-03-02T20:50:00.003+08:002019-03-31T16:01:03.353+08:0019th iyas national writers workshop fellows<div align="justify">
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<span style="font-family: "georgia"; font-size: 85%;">The IYAS National Writers’ Workshop of the University of St. La Salle, Bacolod City proudly announces the 12 Fellows for 2019.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">Elizabeth Joy Serrano Quijano (Binisayang Sugilanon)</span><br />
<span style="font-family: "georgia"; font-size: 85%;">Maria Cristina I. Canson (Hiligaynon Binalaybay)</span><br />
<span style="font-family: "georgia"; font-size: 85%;">Nicole-Ann T. Lucas (Hiligaynon Sugilanon)</span><br />
<span style="font-family: "georgia"; font-size: 85%;">Isabella Kathrina S. Villarojo (Binisayang Dula)</span><br />
<span style="font-family: "georgia"; font-size: 85%;">Ryan Cezar O. Alcarde (Filipino Tula)</span><br />
<span style="font-family: "georgia"; font-size: 85%;">Alec Joshua B. Paradeza (Filipino Maikling Kuwento) </span><br />
<span style="font-family: "georgia"; font-size: 85%;">March Anetonette S. Ortuoste (Filipino Dula)</span><br />
<span style="font-family: "georgia"; font-size: 85%;">Jefferson G. Del Rosario (Binisayang Balak)</span><br />
<span style="font-family: "georgia"; font-size: 85%;">Sigrid Marianne P. Gayangos (English Short Story)</span><br />
<span style="font-family: "georgia"; font-size: 85%;">King V. Llanza (English Poetry)</span><br />
<span style="font-family: "georgia"; font-size: 85%;">Jose Luis B. Pablo (English Poetry)</span><br />
<span style="font-family: "georgia"; font-size: 85%;">Edmark T. Tan (English Poetry)</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">Last year’s IYAS Writers Workshop had Dr. Marjorie Evasco as director and Ms. Grace Monte de Ramos-Arcellana, Ms. Susan S. Lara, Dr. Ronald Baytan, Mr. Em Mendez and Prof. John Iremil Teodoro as panelists. IYAS Project Director Atty. Raymundo Pandan, Jr. and workshop founder Dr. Elsie Coscolluela had also joined the panel.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">The IYAS National Writers’ Workshop is co-sponsored by the University of St. La Salle, the Bienvenido N. Santos Creative Writing Center of De La Salle University, the National Commission for Culture and the Arts, and the Institute for Climate and Sustainable Cities.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">This year’s workshop—the 19th edition—will be held at the Balay Kalinungan Complex of the University of St. La Salle, Bacolod City, from March 31 to April 6, 2019.</span></div>
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<span style="font-family: georgia; font-size: 13.6px; text-align: justify;">[UPDATED 03/31/19]</span>Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com2tag:blogger.com,1999:blog-2186359217419540644.post-85842471171294505562019-01-31T23:34:00.003+08:002019-01-31T23:35:25.298+08:00breakable<div align="justify">
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<a href="https://cdn-static.denofgeek.com/sites/denofgeek/files/styles/main_wide/public/conan-comic-con-glass.jpg?itok=hJAfYIA3" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="800" height="223" src="https://cdn-static.denofgeek.com/sites/denofgeek/files/styles/main_wide/public/conan-comic-con-glass.jpg?itok=hJAfYIA3" width="400" /></a></div>
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">Say what you will about M. Night Shyamalan and his recent films, but I just re-watched “Unbreakable” and, man, this guy is good. Really good. He is a master of mood and composition. It's on Netflix. Watch it.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">I just think though that he needs an editor these days, or someone to restrain his wild wild ideas. To cut his philosophising. To focus on the emotion. (And to limit his cameos?) Because these are the methods that I believe made “The Sixth Sense” and “Signs” so tense, so moving.</span><br />
<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">His latest film, “Glass,” could've been great like those three. This is perhaps his wildest, boldest film to date but it is also his most frustrating, most perplexing. So ultimately, bad habits are just hard to shake off, noh? I guess he is not entirely unbreakable.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;"><br /></span>
<span style="font-family: "georgia"; font-size: 85%;">[ <i>image borrowed from this <a href="https://www.denofgeek.com/uk/movies/59275/glass-m-night-shyamalan-trailer-story-news" target="_blank">site</a></i> ]</span></div>
<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0tag:blogger.com,1999:blog-2186359217419540644.post-30978663157592284222018-12-26T23:54:00.001+08:002018-12-26T23:54:31.014+08:00happy birthday, mother dear<div align="justify">
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<span style="font-family: "georgia"; font-size: 85%;">Yesterday, December 25, may just be another day to be merry with complete abandon for some, but in this household the 25th of the 12th month of the year means something more. Probably even more than any other celebrations out there.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">Because December 25 is also the birthday of my mother, the person who I always wish to become but staggeringly fail. But despite these drawbacks, both big and small, she accepts them, rises above them with grace and generosity. That is why it is easy never not to love her.</span><br />
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<span style="font-family: "georgia"; font-size: 85%;">Happy birthday, Ma! And Merry Christmas!</span></div>
<br />Bullfroghttp://www.blogger.com/profile/06140314033223243441noreply@blogger.com0