thank you, buglas writer's guild!

Thank you once again, Buglas Writers Guild. A literary excursion to Indonesia would not have been possible without being marinated in the imagination of the Isle of Buglas.

[ link to the original post here ]

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CONGRATULATIONS! Tagbilaran/Dumaguete poet F. Jordan Carnice has been invited as the fifth resident for the Tulisan Nusantara: The Writer's Residency Program on Cempedak Island in Indonesia. Each year, published writers from across Southeast Asia are invited to spend time on the island, drawing inspiration from the natural world and the stories of the Riau Islands. During their stay, residents explore ideas connected to place, identity, and culture. Congratulations, Jordan! 

37th philippine travel mart

A lot has happened back home, blurring through my periphery, that I completely forgot to mention that my poetry chapbooks Weights & Cushions and How to Make an Accident were among the titles featured by Libraria Books at the Dumaguete City booth for the 37th Philippine Travel Mart at SMX Convention Center, Pasay City, September 4–6, 2026.

This was just one way of showcasing why Dumaguete is the country’s first and only UNESCO Creative City of Literature. Many thanks go to the wonderful people of Libraria Books and the Dumaguete City Tourism Office for the support.

It was over so quickly. Sincerest apologies to friends in Metro Manila who were looking for those copies. Thankfully, you can always message Libraria, and they would be glad to connect you with these and other Filipiniana titles, especially by authors from the Visayas.

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this saturday looks beautiful and lovely

 

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in the news

So here’s a pre-holiday surprise gift from The Weekly Sillimanian. I honestly thought the article would come out next year.

Those are big words in that headline. But all I want (for Christmas) is to carry everything I’ve learned as a practicing writer and as a volunteer for Bohol Climate Walkers, Plastic Free Bohol, Kaliwat ni Karyapa, Bohol Arts and Cultural Heritage Council, and Center for Culture and Arts Development - Bohol into my work as a museum researcher in Dumaguete City. That includes, especially, the hope of cultivating more writing in Binisaya from my two hometowns. Considering that the paper’s writers interviewed me on two separate occasions for almost four hours, it’s understandable that some things may have been lost in translation, or that not everything could fit into a single news article.

Still, I am deeply grateful. As I shared with them, everything I do is ultimately for the public. Projects should never be born out of a personality, but out of the needs of a particular community. Happy holidays, friends and family!

[ full article can be read here ]

surprise cameo

 I’ve received this link to a video four times now, from four different people. Turns out I make a small cameo in a video by lawyer and online personality Regal Oliva about Dumaguete’s declaration as a UNESCO Creative City of Literature.

Really looking forward to the next move, especially how the city government chooses to carry the weight of this title. Perhaps the most concrete step is the creation of an official council—entirely separate from the tourism office—that can genuinely dedicate time and resources to literary programs that shape how a community thinks, listens, and imagines.

literally literary

Last Saturday, December 13, turned into a very literary kind of weekend. After revising some old poems in the morning, went to the Arts and Design Collective Dumaguete (ADCD) in the afternoon for BazArt 2025—a gathering of local artisans, creatives, and makers. Got to see the fundraiser art exhibit and the soon-to-open office of the Buglas Writers Guild. Turns out, I was one of the first two visitors.

Later that evening, had dinner with friends from the Pride Run Club and met Vince Lopez of Mugna Gallery, along with the gallery’s latest featured artist, Marvin Chito Natural. I had admired his realist works, but unfortunately, only through Facebook. He’s easily like a modern-day Amorsolo.

Chito shared that before fully committing to painting, he used to write balak—poetry in Binisaya—and asked for advice on translation and on finding his way back to writing. He then showed me some of his pieces. All I could really say was he should keep doing both writing and painting. He's really good.

After a hearty Vietnamese dinner and a calamansi liquor sorbet for dessert, spontaneously joined the poetry reading and open mic at The Shed, and read two unpublished poems I’d recently sent via text to friends—“Waterworld” and “Everything is Metaphor (or The Dolphins).” Before heading home, I slipped into a core group meeting for the third edition of the Dumaguete Literary Festival (DumaLitFest) in April 2026. We talked plans—and even dreams—for Dumaguete as the newest Creative City of Literature in UNESCO’s Creative Cities Network. 

Also mentioned to the group that it is also the right moment to lobby for a council or a provincial government arm to preserve, promote, and develop Negros Oriental’s cultural heritage and artistic talents through various programs, workshops, events, and collaborations with local and national partners, and not just for literature. This office should be separate from both city and provincial tourism offices because tourism has a different set of priorities. Just my Christmas wish. 

Thrilling times ahead. Here’s hoping we get the support we need from the people and institutions meant to help carry these projects forward.

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conversations

So the former interviewer got interviewed. Yesterday and today, writers from The Weekly Sillimanian and The Silliman Magazine visited the National Museum of the Philippines to speak with me for a feature they’re preparing. Two long sessions. Party because we covered a lot, partly because I definitely went off-tangent more than once. 

We talked about personal projects, literary work in my home province of Bohol, nuances across Binisaya languages. We even tried to define what “literary culture and heritage” means in Negros Island and how institutions like the museum can help sustain it. Plus many small, unexpected detours in between.

It was fun. I remembered being in their place, writing features for The Weekly Sillimanian in 2006-2007, and then serving as features editor in my last two years of college.

When asked what my recognitions mean—whether the Poet of the Year titles from the Nick Joaquin Literary Awards or the recent Pres. Carlos P. Garcia Award—I said they feel like bonuses. They push me to keep writing, yes, but they were never the point. I’ve been writing since I was five or six, stumbling and growing through the work, and these milestones arrived without my chasing them.

Maybe that’s why they’re gratifying. They all came as surprises. I’m already happy sending drafts of poems through text messages to friends and loved ones, the way I’ve done since 2006. I still believe this: when you love the things that work for you, and when you work for the things you love, everything else falls into place.

We then talked about Dumaguete’s UNESCO Creative City of Literature designation. In my heart and mind, Dumaguete has always been a City of Literature. Long before the title, the art thrived through brave, thoughtful souls who kept the words alive. My hope now is that this recognition widens the circle—welcoming more voices, making literature accessible, and helping people see how prose and poetry matter in everyday life, from the tiangge to government offices, from the streets to the academe. 

Thank you, Danielle Mari Bonior, Zarelle Villanzana, Carla Adeline Via. I hope I got the message across.⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣

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dumaguete: unesco creative city of literature

We did it, fam! What a glorious way to end the month of October! Dumaguete City is now officially a UNESCO Creative City of Literature! It joins a distinguished network of just over 50 cities around the world recognized for their outstanding literary culture and commitment to creativity.

I had the honor of representing the National Museum of the Philippines - Dumaguete as one of the major stakeholders during the city’s bid to join the UNESCO Creative Cities Network (UCCN) over the past months, presenting how the museum continues to promote and sustain the community’s literary heritage through its public programs and visitor engagement activities, such as our Knowledge Nook mini-library, Muse and Metaphor at the Museum lecture, Paglampos: Stories of Triumph by the Women of SAFIRE, Paglampos: The Art of Zine-making, the Silliman University National Writers Workshop: The Fellows Forum, among others. And there’s more to come! 

Established in 2004, the UNESCO Creative Cities Network fosters international cooperation among cities that place culture and creativity at the heart of sustainable urban development. The network recognizes cities in seven creative fields, namely, Crafts and Folk Art, Design, Film, Gastronomy, Literature, Media Arts, and Music. All this encourages the cities to exchange best practices, form partnerships, and integrate cultural development into local planning.

Before this milestone, through the UNESCO-Philippine National Commission, the Philippines only had three UNESCO Creative Cities: Baguio (Crafts and Folk Art, 2017), Cebu (Design, 2019), and Iloilo (Gastronomy, 2023). With Dumaguete’s inclusion, the country now proudly adds a City of Literature to the list.

Dumaguete City, along with Quezon City (for City of Film), made history as the first designations in their respective fields in the country. Dumaguete, in particular, is among the first Creative Cities of Literature in Southeast Asia alongside Jakarta. 

This push was spearheaded by the Dumaguete City Tourism Office, the Department of Trade and Industry (DTI) Negros Oriental Provincial Office, and a core group of creatives led by award-winning writer Ian Rosales Casocot. Grateful to everyone who worked so tirelessly to make this happen, and excited to see what lies ahead for my second home under this groundbreaking recognition. 

[ Read more about the declaration here ]