Showing posts with label iligan writers workshop. Show all posts
Showing posts with label iligan writers workshop. Show all posts

Saturday, December 13, 2025

fellow fellows


As the years go by, it becomes harder to round up and keep in touch with people you’ve found meaning and connection with. You might call it fellowship, especially when you first met as fellows in a writing workshop. That’s why last November 27 felt like such a gift, seeing Yas, my co-fellow from the 15th Iligan National Writers Workshop back in 2008, and Jennie, a fellow from the recent 63rd Silliman University National Writers Workshop, whom I met—and instantly clicked with—when their batch had the Fellows Forum at the museum last July. Both had come all the way from Davao for a quick visit.

I’m a transplant myself, somehow still finding my way here in Dumaguete City, which makes it both touching and amusing when people gravitate toward where you are and speak as if you last saw each other only yesterday. Funny because the last time I met Yas was in 2017. This is his first visit to the City of Gentle People, and now also a UNESCO Creative City of Literature. Yas and Jennie were heading back to their hometowns the next day, so I took them on a quick tour of my favorite spots. It was a beautiful day.

[ more photos here ]

Tuesday, May 15, 2012

what follows will always be necessary


It is the month of May. Aside from sand, sea, and sun (and nowadays, a little bit of rain), it is the season of writers workshops. You know, those little groupings that allow little men to discuss and rant off intents, objective correlatives, punctuation marks, caesuras, etc. for a couple of days with big men as their necessary acoustics

Dumaguete (2008)

And since the Millennials are said to be harbingers of glorifying nostalgia, even if my belonging to it remains to be debatable, I would not ignore this opportunity to skip a few years back with these mandatory snapshots and, well, notice what has transpired from this to this.


Iligan (2008)

 The memories that cling to them are eerie, but I think that is the point of recollection. To know which to hold on to, which to steer clear of. They may be still recognizable but they could be unusual now. Things do change.


Bacolod (2010)
  
Well, I believe there will never be a path that leads to an absolute destination, there will never be sameness (there could be a hint), there will never be symmetry of the sort that would make Wes Anderson blush. There is only incongruence, there is only difference, and maybe even chaos, the kind that completely distorts, if not erases, the trajectory of Point A to Point B, making you ask, “Where is he now? What happened to her? or “Why?

But it seems they do not really matter that much. What follows is what is important, what will always be necessary. The practice of writing, after all, is a self-imposed struggle of looking back while plunging headfirst into possibilities, good or bad. Now, I could only glance at the photos with a wry smile. I am going to Dumaguete in a few hours. 

Tuesday, April 24, 2012

19th iligan national writers workshop fellows

Finally, here’s the announcement of fellows for the 19th Iligan National Writers Workshop.  Wow, 19th batch. It feels like our 15th happened a long, long time ago. Anyway, seeing the list, there’s no doubt this is going to be an interesting batch. Enjoy the city of Iligan, Marvin, Phillip, Glenn, and Jesus! And to the rest of the fellows, congratulations!

*

19 out of 106 applicants qualified in this year's 19th Iligan National Writers Workshop (INWW) to be held on May 14-18, 2012 at the MSU-IIT and at the Elena Tower Inn, Iligan City.

Hosted by the MSU-IIT Office of the Vice Chancellor for Research & Extension,
this workshop is funded by the National Commission for Culture and the Arts (NCCA) and the MSU-IIT Office of the Chancellor.

The 15 writing fellows are funded by the NCCA while four of the writing fellows are funded by sponsors: Boy Abunda, and Ricardo Jorge S. Caluen, and Foundations: the Manuel E. Buenafe Writing Fellowship and the Bai Zaima Mamalinding Mother & Child Foundation, Inc..

The Jimmy Y. Balacuit, Sr. Literary Awards are likewise given to the most promising works by the writing fellows at the close of the workshop.

The writing fellows are:

Luzon
Tomas Agulto (Poetry, Filipino)
Marvin Einstein Sarmiento Mejaro (Fiction, Filipino)
Pia Montalvan (Fiction, Filipino)
Glenn L. Diaz (Fiction, English)
Phillip Y. Kimpo, Jr. (Fiction, English)

Visayas
Norman T. Darap (Fiction, Kiniray-a)
Jesus Catigan Insilada (Fiction, Kiniray-a)
Jessrel Escaran Gilbuena (Poetry, Cebuano)
Jenelyn Villegas Garcia (Poetry, Waray)
Francis Senolos (Poetry, Waray)
Aurea Lynne Geronimo (Play, Filipino)

Mindanao
Teomie Langamin Nale, Jr. (Poetry, Cebuano)
Jermafe Kae Angelo Prias (Poetry, English)
Sittie Urdoja G. Madale (Poetry, Maranao)
Anne Solon Senajon (Play, Cebuano)
Karlo Antonio Galay David (Play, Filipino)
Cheryl Love P. Sumagat (Play, Filipino)
Diandra-Ditma Aguam Macarambon (Fiction, English)
Iryne Ole Kaamino (Fiction, Cebuano)


The Evaluators:
Merlie M. Alunan, Nelia G. Balgoa, SPC Fernandez, Roger Garcia, Man Gervacio, Christine Godinez-Ortega, Tonton Daposala, Zola Gonzalez Macarambon, Phil Harold Mercurio, Raul Moldez, Maimona W. Magayoong and John Iremil Teodoro.

Panelists this year:
Merlie M. Alunan, Antonio R. Enriquez, Leoncio P. Deriada, SPC Fernandez, German V. Gervacio, J. Neil C. Garcia, John Iremil Teodoro, Macario D. Tiu, C Godinez-Ortega, and the keynote speaker, Victorio N. Sugbo.

Thursday, February 02, 2012

19th iligan national writers workshop call for submission of applications

The Mindanao Creative Writers Group, Inc., and the Mindanao State University-Iligan Institute of Technology’s Office of the Vice Chancellor for Research and Extension (OVCRE) are accepting applications from writers to the 19th Iligan National Writers Workshop (INWW) to be held on May 14-18, 2012 in Iligan City.

Panelists this year are Erlinda Kintanar Alburo, Leoncio P. Deriada, Merlie M. Alunan, German V. Gervacio, Steven Patrick C. Fernandez, Ralph Semino Galan, J. Neil Garcia, John Iremil Teodoro and Christine Godinez-Ortega and this year’s keynote speaker, Victor N. Sugbo.

Fifteen (15) slots, five each from Luzon, Visayas and Mindanao and one (1) slot each for the Manuel T. Buenafe Writing Fellowship (MTBWF) and the Ricardo Jorge S. Caluen Bursary for Creative Writing or a total of 17 slots are available for writing fellowships to the 19th INWW.

Applicants are required to submit five poems, or, one short story, excerpt of a novel, or, a one-act play in Filipino, English or in Sebuano, Hiligaynon, Kinaray-a, Waray, Chabacano (with English or Filipino translations) along with the applicant’s biodata, two 2X2 photos and a certification that his/her work is original. Please submit a hard copy and a CD with the manuscripts encoded in MS Word. Those submitting excerpts of novels or works-in-progress—please provide a one-page summary of the novel. Unpublished works are preferred and applicants who have attended regional workshops are given priority.

Writing fellows will be given free board and lodging and a travel allowance. Applications must be postmarked on or before March 30, 2012. No applications or manuscripts will be accepted if sent by fax or e-mail. Applicants are also advised to keep copies of their manuscripts since these will not be returned. Announcements of this year’s writing fellows are released during the third week of April 2012.

Applicants to this year’s workshop may download application and other forms here.

Send all applications to the 19th INWW Director c/o OVCRE, MSU-IIT, Iligan City. For more information call Pat Cruz, Leda Gonzales or Ofelia Taneo at telefax (063) 2232343; or e-mail: inww_ovcremsuiit@yahoo.com

*

This year’s the nineteenth edition already? That was fast. I can still picture Elena Tower in my mind, the lonely couch outside the conference hall, the rooms, the shrimps, the falls, the long ride to reach the falls, and a whole lot more…

Friday, May 06, 2011

18th iligan national writers workshop fellows

It is the season of writing workshops. Usually, after the ones in Bacolod and Dumaguete, the national workshop in Iligan follows. As a fellow for English Poetry back in 2008, I can attest that the learning I culled from it is relevant until now. After all, one of its panelists is the reason why I decided to take writing seriously when I was in high school.

By the way, congratulations to Anne, Glenn, and Vijae for making it this year.

*

Seventeen writing fellows out of 78 applicants from all over the country are attending the 18th Iligan National Writers Workshop (INWW) on May 23-27, 2011 to be held at the MSU-Iligan Institute of Technology (MSU-IIT). They are…

Luzon
Bonifacio Alfonso M. Javier III (Play, Filipino)
Vijae O. Alquisola (Poetry, Filipino)
Anne Carly S. Abad (Poetry, English)
Jacob Walse Dominguez (Poetry, English)
Michelle Abigail Tiu Tan (Fiction, English)

Visayas
Mary Grace H. Abogado (Boy Abunda Writing Fellow - Poetry, Waray)
Gil Salanio Montinola (Poetry, Hiligaynon),
Glenn T. Munez (Poetry, Cebuano)
Erik E. Tuban (Poetry, Cebuano)
Denver Ejem Torres (Poetry, Cebuano)

Mindanao
Rogelio F. Garcia (Play, Filipino)
Allen Faw B. Samsuya (Poetry, English)
Maimona W. Magayoong (Poetry, English)
Mark Anthony L. Daposala (Manuel E. Buenafe Writing Fellow - Poetry, Cebuano)
Deo Charis I. Mostrales (Fiction, English)
Jonecito R. Saguban (Fiction, Cebuano)
Kei S. Valmoria-Bughaw (Ricardo Jorge S. Caluen Writing Fellow - Fiction, Cebuano)

The Integrated Performing Arts Guild (IPAG) performs during the opening program on May 23 at the MSU-IIT Mini-theatre, while the closing program and launching of the 17th INWW proceedings titled, The Poetry of Place, edited by Christine Godinez-Ortega, will be held on May 27.

Panelists this year are: Leoncio P. Deriada, Merlie M. Alunan, Erlinda Kintanar Alburo, Ralph Semino Galan, Steven Patrick C. Fernandez, German V. Gervacio, Godinez-Ortega and this year’s Keynote Speaker, Pearlsha B. Abubakar (INWW, 2002).

The 18th INWW is hosted by the Mindanao Creative Writers Group (MCWG) and the MSU-IIT Office of the Vice Chancellor for Research & Extension. The workshop is funded by the National Commission for Culture and Arts (NCCA) and the MSU-IIT.

(lifted from the official announcement)


Monday, March 14, 2011

call for the applications to the 18th iligan national writers workshop

The Mindanao Creative Writers Group, Inc., and the Mindanao State University-Iligan Institute of Technology’s Office of the Vice Chancellor for Research and Extension (OVCRE) are accepting applications from writers to the 18th Iligan National Writers Workshop (INWW) to be held on May 23-27, 2011 in Iligan City.

Panelists this year are Erlinda Kintanar Alburo, Leoncio P. Deriada, Merlie M. Alunan, German V. Gervacio, Steven Patrick C. Fernandez, Antonio R. Enriquez, Ralph Semino Galan, Christine Godinez-Ortega and this year’s keynote speaker, Pearlsha B. Abubakar, 9th INWW Fellow (2002).

Fifteen (15) slots, five each from Luzon, Visayas and Mindanao and one (1) slot each for the Manuel T. Buenafe Writing Fellowship (MTBWF) and the Ricardo Jorge S. Caluen Bursary for Creative Writing or a total of 17 slots are available for writing fellowships to the 18th INWW.

Applicants are required to submit five poems, or, one short story, excerpt of a novel, or, a one-act play in Filipino, English or in Sebuano, Hiligaynon, Kinaray-a, Waray, Chabacano (with English or Filipino translations) along with the applicant’s biodata, two 2X2 photos and a certification that his/her work is original. For short stories, excerpts of novels or plays, please submit a hard copy and a CD with the manuscripts encoded in MS Word. Those submitting excerpts of novels or works on progress—please provide a one page summary of the novel. Unpublished works are preferred and applicants who have attended regional workshops are given priority.

Writing fellows will be given free board and lodging and a travel allowance. Applications must be postmarked on or before March 25, 2011. No applications or manuscripts will be accepted if sent by fax or e-mail. Applicants are also advised to keep copies of their manuscripts since these will not be returned. Announcements of this year’s writing fellows are released during the third week of April 2011.

Applicants to this year’s workshop may download application and other forms athttp://www.msuiit.edu.ph/ (under MSU-IIT OVCRE MMIDU).

Send all applications to the 18th INWW Director c/o OVCRE, MSU-IIT, Iligan City. For more information call Pat Cruz, Leda Gonzales or Ofelia Taneo at telefax (063) 2232343; or e-mail: inww_ovcremsuiit@yahoo.com

Monday, May 24, 2010

17th iligan national writers workshop fellows

The 17th Iligan National Writers Workshop (INWW) opens today at the MSU-Iligan Institute of Technology Mini-Theater. Twelve writing fellows were selected for this year’s INWW. They are:


Poetry
Bernardo Miguel Aguay Jr., Calabanga, Camarines Sur (Filipino)
Paul A. Castillo, University of Santo Tomas (Filipino)
Roberto Klemente R. Timonera, MSU-IIT (English)
Gratian Paul R. Tidor, MSU-IIT (Cebuano)
Herminigildo M. Dico, MSU-IIT (Cebuano)
Jona B. Bering, University of San Carlos (Cebuano)
Nemesio S. Baldesco, Lamiraw, Calbayog City (Waray)

Fiction
Jayson E. Parba, Capitol University (English)
Kyra Camille C. Ballesteros, Ateneo de Manila University (English)
Romulo P. Pena, UP Diliman (Filipino)
Reynaldo A. Villaruz, Colegio de la Purisima Concepcion (Hiligaynon)

Play
Anili F. Butcon, Xavier University (English)

The 17th INWW panelists are Antonio Enriquez, Leoncio P. Deriada, Merlie M. Alunan, Victor N. Sugbo, German V. Gervacio and Steven PC Fernandez. This year’s keynote lecturer is Lawrence Ypil, and workshop director, Christine Godinez-Ortega.

Major sponsors this year include the MSU-IIT Chancellor’s Office and Office of the Vice Chancellor for Research & Extension; the National Book Development Board; the NCCA Speakers Bureau; the Manuel E. Buenafe Writing Fellowship; JY Balacuit Memorial Awards; and writers groups, schools, past panelists and INWW alumni who donated cash and in kind so the workshop could be held this year.

Tuesday, April 13, 2010

17th iligan national writers workshop set

[I know this is a little too late but I still go for the idea that this tiny promotion could help...]


The 17th Iligan National Writers Workshop will be held on May 24-28, 2010 in Iligan City.

The Iligan workshop is one of three national writers workshops in the country institutionalized by the National Commission for Culture and the Arts (NCCA).

Founded by Jaime An Lim, Christine Godinez-Ortega and Anthony L. Tan, the workshop opened in 1994 with Bienvenido Lumbera as its first keynote speaker.

The Iligan workshop accepts entries in English, Filipino and the regional languages: Sebuano (this is the correct spelling of Sebuano according to Philippine linguistics professors/researchers), Hiligaynon, Kinaray-a, Waray and Chabacano.

Each year, the Iligan workshop chooses a keynote speaker to deliver his address during its opening program that also features the MSU-IIT resident theater company, the Integrated Performing Arts Group, it gives a quota of five writing fellows per region and it is the only national workshop that publishes its proceedings. The proceedings contain the works submitted by writing fellows, their photos and bionotes and the commentaries of the panelists.

The panelists this year are: Ma. Rosario Cruz Lucero, Leoncio P. Deriada, Merlie M. Alunan, Victor N. Sugbo, Steven P.C. Fernandez, German V. Gervacio, Bro. Karl Gaspar, CSSR, the workshop director, Christine Godinez-Ortega and this year's keynote speaker, Lawrence Ypil of Ateneo de Manila University.

This is a unique year for the Iligan workshop however because there is no regular funding from the NCCA therefore, qualified writing fellows will have to either look for sponsors or fund themselves to enable them to attend the workshop.

The Iligan workshop would like the guidelines below to be posted in panitikan.com.ph so more will know about them.

Guidelines for Applicants

I. Application Form

Submit filled up application form. Download form at: www.msuiit.edu.ph

II. Sponsor

A qualified applicant has to have a sponsor this year to pay for his round trip transportation to and from Iligan City and for his board and lodging totaling P10,000.00 for the duration of the workshop.

III. Cash/check deposits

All payments should be deposited in the Mindanao Creative Writers Group, Inc. checking account no. 000-322-1107-07, Landbank, Iligan City . Please inform the MCWG Treasurer, Pat Cruz when the cash or check has been deposited. Tel. (063) 2232343 or cell no. 0917-716-2822.

IV. Qualification requirement

1. An applicant shall have attended a local or regional workshop before joining the INWW but this may be waived by the evaluators in meritorious cases.

2. Applicants should submit any one of the following [or one genre per applicant]:

· Poetry – 5 poems

· Short Story – one short story of not more than 30 pages, double spaced on regular bond paper

· Play – one, one act play

· Novel – one chapter of a novel or novel-in-progress. This must be accompanied by a background and a summary of the novel.

3. Entries should be encoded in Word Document, Times New Roman, font 12, double spaced on regular sized bond paper.

4. Entries accepted are: English, Filipino and in the regional languages – Hiligaynon, Kinaray-a, Sebuano, Waray, Chabacano. Translations in English should also be submitted with the manuscripts in their original languages.

5. One hard copy and a soft copy in CD [Word Document] of each entry are submitted with the application form and cover letter.

6. Address cover letter to:

Christine Godinez-Ortega
Director, 17th Iligan National Writers Workshop
c/o Office of the Vice Chancellor for Research & Extension
MSU-IIT, Iligan City

Tel. (063) 2232343

Contact Pat Cruz or Alice Bartolome

7. Deadline for all submissions: April 15, 2010

8. Qualified applicants will be notified by the INWW Director.

V. For other queries or details

Please call Pat Cruz or Alice Bartolome, MSU-IIT, OVCRE, tel (063) 2232343

Monday, March 01, 2010

nothing's elusive to the desperate man

It seems to me that whenever the lethal mix of stress, boredom and routine strikes, there’s the need to completely vanish from the picture, go out of the radar.

Yes, it has been a while that I have not mingled with my usual partners-in-crime, to pursue the usual rounds in a drinking hole, chat the usual fantasies, and walk back to the usual dwelling only to wake up the following day to a dreary Sunday, or worse, a usual Monday.

My mind is completely cluttered lately that I can’t even determine what the fun in watching a movie is.

It is a momentary choice I’ve made, this detachment. I have been missing a lot of things since the start of the year, and the opportunity to get out of the metro—the city tangled in many electrical wires, drowning in dusty PUV’s—is like the most beautifully-cut diamond in all the trash I have been seeing.

After living in a concrete jungle for almost eight months, I’ve thought that the waves, the sand, the cheap sumptuous food, the sunrise, and all about calmness, will be an elusive dream of an intoxicated employee. I’ve made that notion wrong.

One day, with everything all set to go, I venture onto a six-hour travel to find peace, along with three of my Hipon fellows Sara Sebastian, Sam Echavez, and Yas Ocampo. Slap me in the face, but what a peace we found! The escape is worth it.

The stunning details are too vast to word in a paragraph that is why I will just post some shots here, and insert some bits of our conversation that will never be heard in our offices:

I need a break.
[at hindi pumasok ang tao on a workday]

‘Prolific’ is the word of the day.
[feelerette pa rin]

Nauubos na yung Ding Dong. Talaga namang nothing is forever.
[lasing ka na yata]

You are my trophy and trophies don’t talk.
[about handsome no-brain boyfriends]

At the end of the rainbow, there is a pot of bro’s.
[the beach is a sight to behold nga!]

Avant-garde pose tayo!
[at kailangan magmukhang matamlay na talangka tayo?]

Ayoko ng ma-repeat yung ‘Don’t say that’ line ko.
[winking at Mars, Pilipeh and Budjkins]

Risks are needed to complete the adventure.
[muntik ka ng malunod, leche!]

mandatory may nakatulog sa biyahe shot.


mandatory pre-Friendster heads up shot.

mandatory dalampasigan jump shot.

mandatory emo shot.

mandatory sunrise shot.

mandatory nakahiga circle of 'friends' shot.

mandatory nakatayo sa mga matutulis na bato shot.

Tuesday, February 23, 2010

help this year's edition of the iligan national writers workshop

For the first time after 14 years, the NCCA will not support the Iligan National Writers Workshop because of a technicality: the proponents failed to meet the August 31 deadline. Perhaps an oversight on the organizers’ part, but, the failure to meet the deadline was anchored on the presumption that the Iligan workshop, already institutionalized by the NCCA together with the U.P. and Silliman workshops, did not have to go through the process of an Open Grants competition.

The situation frustrated the organizers and panellists and was a letdown for the many aspiring writers who expected the workshop to be an opportunity to hone their craft.

After unsuccessfully appealing the NCCA decision, I tried to convince my peers during a meeting of the NCCA Committee on Literary Arts that the mandate to develop writing in this country was not ours but government’s through the NCCA. If the NCCA did not wish to support our advocacies, why stress ourselves in forcing the issue? After all, scratching off the program will be the country’s loss, not ours. I tried to convince my peers to consider Commissioner Ricky de Ungria’s suggestion to postpone the workshop to next year but meet the deadline for proposals.

But the tenacity and relentlessness of a Christine Godinez-Ortega and her company refused postponement and moved the proverbial heaven-and-earth to realize this year’s workshop.

Writers and friends have come to the rescue willing to spend personal funds for transport, board and accommodations. Personal funds have been pledged to support the fellows and the workshop’s operations. There may not be enough resources from our donors for support, but one thing is certain: the workshop will push through on May 24-28.

I have joined her advocacy and appeal, and will donate my services gratis and perhaps, if personal resources allow, sponsor a fellow or two.

Attached here is her letter of appeal for support. This advocacy is contagious. I hope it infects your spirit too. Please help writing and our writers.


STEVEN P.C. FERNANDEZ, DFA
Member, NCCA Committee on Literary Arts


*

Please email Christine Godinez-Ortega at cgodinezortega@gmail.com if you can help. Any help, any amount is welcome in order for the INWW to be realized once more this year. The following have pledged their support to fund the travel, board and lodging of a writing fellow from their respective schools, regions and organizations for the duration of the INWW: Phil Harold L. Mercurio and Voltaire Oyzon, Hope Sabanpan Yu,Elsa Victoria Martinez Coscolluela, Leoncio P. Deriada, Carlo Arejola, Ricardo Jorge S. Caluen, Maria C. Buenafe, Chari Cruz Lucero, Servando Halili, Rebecca Anonuevo, Glenn Sevilla Mas, and John Iremil Teodoro.

The INWW will likewise ask for representatives and funding support from the following institutions: Ateneo de Manila University c/o Christine S. Bellen, Ateneo de Davao University c/o Macario Tiu, Ateneo de Cagayan-Xavier University c/o Hobart P. Savior, University of Santo Tomas c/o Lito Zulueta, and Capitol University c/o Atty. Jun Juarez.

The panelists and keynote speaker have likewise pledged to spend their own transportation, board and lodging, and, they are, like the staff, giving their services for free: Chari Cruz Lucero, Macario Tiu, Merlie M. Alunan, Leoncio P. Deriada, Karl Gaspar, Victor N. Sugbo, Lawrence Ypil, Carlo Arejola, and Steven Fernandez.


[post originally taken from Ian Rosales Casocot]

Thursday, April 02, 2009

16th iligan national writers workshop fellows

We are getting older, indeed. Now, there’s the sixteenth batch…

The National Commission for Culture and Arts (NCCA) in cooperation with the MSU-Iligan Institute of Technology (MSU-IIT)-Office of the Vice Chancellor for Research & Extension’s Multimedia Information & Dissemination Unit and the Mindanao Creative Writers Group, Inc., announce the 16 writing fellows to the 16th Iligan National Writers Workshop (INWW) to be held on May 25-29, 2009 in Iligan City. The writing fellows are:

LUZON
FICTION (English): Timothy James M. Dimacali, UP Diliman/Pasay City; (Filipino): Ma. Fe de Guia, UP Los Banos/Caloocan City; POETRY (Filipino): Jason G. Tabinas, Ateneo de Manila University/ Pasig City; Arvin T. Ello, De la Salle University/ Paranaque City; PLAY(Filipino): Marianne Mixhaela Z. Villalon, UP Diliman/Quezon City.

VISAYAS
POETRY (Waray): Phil Harold Mercurio, UP Tacloban/Calbayog City; Jhonil C. Bajado, UP Tacloban/Maydolong, Eastern Samar; (Cebuano): Russ Raniel A. Ligtas, UP Cebu/Cebu City; Cindy A. Velasquez, University of San Carlos/Cebu City; and (Hiligaynon): Sam S. Prudente, UP Diliman/Iloilo City.

MINDANAO
FICTION (English): Gabriel P. Millado, UP Mindanao/Davao City; Justine May R. Torregosa, Ateneo de Zamboanga University (ADZU)/Zamboanga City; Paul Alfonse J. Marquez, ADZU/Zamboanga City; POETRY (English): Anderson V. Villa, Ateneo de Davao University/Davao City; (Chabacano): Edgar Darren G. Bendanillo, Zamboanga State College of Marine Science & Technology, Zamboanga City; and, the Manuel E. Buenafe Writing Fellow (poetry-English): Everlyn T. Jaji, ADZU/Zamboanga City.

Panelists this year are: Ma. Rosario Cruz Lucero, Jaime An Lim, Merlie M. Alunan, Victor N. Sugbo, Antonio Enriquez, Leoncio P. Deriada, German V. Gervacio, Steven Patrick C. Fernandez, Macario Tiu, this year’s keynote speaker, Ralph Semino Galan and the INWW Director Christine Godinez-Ortega.

Evaluators of INWW manuscripts this year: Bro. Karl Gaspar, CSsR; C. Godinez-Ortega, Arlene Yandug, Ed P. Ortega, German Gervacio, Steve Fernandez and Zola Gonzalez Macarambon.

Highlights this year include the launching of the 15th INWW Proceedings, ‘About Us’ edited by Godinez-Ortega and the Special Issue of the Mindanao Forum containing 15 INWW Keynote Lectures [from Lumbera to Enriquez] also edited by Godinez-Ortega. Both are published by the MSU-IIT OVCRE.

All writing fellows are asked to confirm their attendance to the INWW with the INWW secretariat (call Alice) on or before April 24, telefax: (063) 3516131; email: aliciabartolome@yahoo.com & patpcruz@yahoo.com.


Saturday, January 24, 2009

16th iligan national writers workshop call for submission


The National Commission for Culture and Arts (NCCA), the Mindanao Creative Writers Group, Inc., and the Mindanao State University-Iligan Institute of Technology’s Office of the Vice Chancellor for Research and Extension (OVCRE) are accepting applications from writers to the 16th Iligan National Writers Workshop (INWW) to be held on May 25-29, 2009 in Iligan City.

Sixteen (16) slots, five each from Luzon and Visayas and six from Mindanao are available for writing fellowships to the INWW. Of the slots for Mindanao, one (1) is for the Manuel T. Buenafe Writing Fellowship for Muslim or Lumad applicants.

Applicants are required to submit five poems; or, one short story; or, for the novel, a summary and 2 chapters for the work-in-progress; and, a one-act play in Filipino, English or in Cebuano.

For entries in Hiligaynon, Kinaray-a, Waray and Chavacano, translations in English are required. Please submit along with the application form two, 2X2 photos. The application form may be downloaded from this site. Please submit a hard copy and a CD with the manuscripts encoded in MS Word97. Unpublished works are preferred. Applicants must have attended at least one regional/local writers workshop, no exceptions.*

Writing fellows will be given free board and lodging and a travel allowance. Applications must be postmarked on or before February 15, 2009. No applications or manuscripts will be accepted if sent after postmarked dates or by fax or e-mail.

Applicants are also advised to keep copies of their manuscripts since these will not be returned. Send all applications to the 16th INWW Director, Christine F. Godinez-Ortega c/o OVCRE, MSU-IIT, Iligan City. For more information contact Pat Cruz or Alice Bartolome or Cherly Adlawan, tels. (063) 3516131; or e-mail: patcruz@yahoo.com /
cherlyadlawan@yahoo.com /
*now this is something new. I wonder why they have changed the rules.
_________________________________________________

Thursday, June 26, 2008

the fascination of self *




Fred Jordan Mikhail T. Carnice
The Weekly Sillimanian
June 25, 2008
Last May, as if the Fates had been playing with my literary ambition of getting out of my post- emotional impasse, I became a fellow in the 47th Dumaguete Writers’ Workshop and 15th Iligan National Writing Workshop, for fiction and poetry respectively. Admissions to these gatherings, consisting of 15 carefully chosen aspirants from across the nation, are not determining indicators that one is excellent at the craft. I have always believed that everyone is a practicing writer, therefore, when it comes to workshops for budding writers, pride and ego are the least needed things.
Writing is just too guarded. In a publication, there are editors. In classrooms, there are professors. And supposedly, in the home, there are parents. A comma has to appear at the right place and a period has to feel like something has come to an end. Writing seems to be so sacred that with the influx of internet, when online writing or blogs started booming, every aspiring writer applauded. In this now-favored outlet, no one directs, no one hinders. For in cyberspace, there are no editors, no professors, and no parents. As blogs (which are usually known for narcissistic writings) prevail and become more popular, a lot of the discreetly self-proclaimed thinkers rise up and contradict their content due to its popularity.
There is no need to further elaborate what narcissistic writing is. Writing, in itself, is downright masturbatory, a lonely line of work wherein one has to enjoy it firsthand before everyone starts to love and appreciate the results. It’s kind of stupid to separate “self” from “writing.” Everything starts from the self. Blogs are diary or journal alternatives.
There’s too much pa-concern kuno in this time and age which makes for the pa-scholars to project television-quality concerns on high-brow issues of the world. Due to the dreariness of political, spiritual, and even metaphysical brouhaha, some (such as me) succumb to express write-ups in depressing tones, or perhaps an emotional pitch (which is then condensed into “emo,” as classified by the hypocrites). At least there are people who really feel, unlike those who have an emotional capacity of a paper clip. Thus the discussion about the smallest of things, may it be the dirt on a sleeve or a new music video, may provide the essential buffer to make life bearable.
Those who try to create a glossy impression still fail, even though they sugar-coat their statements with supposedly academic and mind-stimulating thoughts, because they’re just the ones who are trying to be someone else. This bunch of societal A-list wannabees is just overly-decorated with jaded eyeglasses, armed with a battery-powered mouth, clouded in an air of cerebral superiority that they’d just rant off direct quotations from the book of Immanuel Kant or Karl Marx for loss of things to discuss about someone’s personal opinion concerning Boy Abunda’s latest get-up.
If these people define what’s being sensible by conversing about the mysterious smile of McDonalds, the evolution of criticism, or the economic instability of our nation, well they’re better off at Fort Santiago’s dungeons with Beethoven’s deathly sonatas playing endlessly in the cold air. On the other hand, though their sixth degree synonym of an adjective—transforming “particular” to “circumstantial”—really impresses me for knowledge that exceeds a chimpanzee’s, I retain my composure and don’t mind. Clutter in cyberspace, eh? Besides, I think what’s only important in blogs is Google AdSense anyway.
If these writings are truly revolting and pathetic, how much more is that egotistical response of describing such kind of personal writing in the first place? Don’t people have the right to talk about a drinking session like an ode, or play with words about the afternoon rain like a poem, or transform the idea of hatred into a compact vignette? Well, those who do, go on! I have been doing this in my very own public blog and if someone comments that I’m like a high school drop-out who reads nothing that goes beyond the thickness of an Archie Double Digest, I’d slap in their faces the tome of The Great Critics or Science Explained. The alleged ludicrous writing, I hypothesize, grants online balance: light and heavy, funny and serious, important and the not-so-important-but-relatively-worth-knowing.
We have our own words to say. On the web, there’s no intellectual copyright but only intellectual arrogance. Since my intellectual faculties have already been mashed into pulp by the likes of Rowena Tiempo-Torrevillas, Cesar Ruiz Aquino, Butch Dalisay, Leoncio Deriada, etcetera (know your literature kid), attacks toward my being too self-centered especially in blog writing are somewhat ineffective by now. As what I have said earlier, pride and ego are the least things needed.
* this is a revision of an old post

Wednesday, June 04, 2008

catharsis for two things



When cutting a line to form a verse thinking the mundane is subjugated in poetry, when falling for the temptations of serpentine sentences thinking it’s alright in fiction, or when believing the facts can be twisted to add eccentricity thinking it’s forgivable in nonfiction, it's time for one to change his/her mindset as early as possible. Seriously.

I have just been in exile. In literary exile, to be exact, for I and my literary pieces have been subject to analysis, highlighting flaws and stupid mixed metaphors devilishly playing within my woven words. Wait, not in exile in the sense that I am banished from this field but in exile for I have been detached from my ideals that I have considered right and sufficient.

Just months ago when personal-internal crisis jarred my entirety in chaos, creating lines of poetry and paragraphs of fiction out of the ethereal gloominess that shrouded me, I shifted my focus with much effort to the only friend I had at home: the PC. The two of us had been nice to each other; he provided me stuff that loaded my attention bag to its fullest while I bear his glaring monitor. It was through his constant cyber-charity that I found doorways out of the prolonged remorse. These were the writing workshops’ call for submission of entries.

Page upon page in the internet, I immediately chose three prospects: The IYAS in Bacolod, and the national workshops in Dumaguete and Iligan. Since I had been writing “something” during my state of melancholia, I’d better fry my works in the pan of the authorities. The unlucky thing was that Bacolod had already closed its doors so I was left with two options. Without any hesitation, I applied both. I even said to myself, “What if I got into both workshops? My, heavy decision! I’ve got to choose which one I should participate. Feelerette!”

And then the messages came. I received the Dumaguete message first, informing me that I passed. What was more ironic was that I was at Dumsville when I got the tip (happy). Then the day finally arrived that I had to leave the province (happier—at that moment). Back in my hometown, my mother said someone called from Iligan (happiest). I instantly became a writing fellow in the 47th Dumaguete and the 15th Iligan National Writers Workshops, for fiction and poetry respectively. The rest was history.

If statements such as “What use is this piece to me?” and “I need to be rewarded and I don’t get anything from this!” make you fidgety, then these workshops are not your avenue yet. I readied myself for hard-hitting comments since most of my pieces were written for therapeutic purposes, not mainly literary. As much as the nearly-autobiographical concepts sliced through me in the process of writing my fiction and poems with such self-inflicted pain, the realization of mistakes and required developments proposed by the workshop panelists were definitely sharp and piercing.

Now after a month of bashing works into pulp they could make use as jam for morning sandwiches, I basically have to thank the aches of my inner being that I have been able to explore the outer landscapes of existence. This whole thing screams emo but this is the tad fact: those two writing workshops have been the much-needed catharsis to both my sensitivity on certain matters and, of course, my unfurnished love for the letters. To Rowena Tiempo-Torrevillas, Myrna Peña-Reyes, Cesar Ruiz Aquino, Butch Macansantos, Dave Genotiva, Butch Dalisay, Danny Reyes, Susan Lara, Ernesto Superal Yee, Lito Zulueta, Leoncio Deriada, Christine Godinez-Ortega, Rosario Cruz Lucero, Antonio Enriquez, Victor Sugbo, German Gervacio, Steven Fernandez, and Ralph Semino Galan, thank you very much for the insights.

And to my fellow fellows, both from the Katsubong Troupe of Dumaguete and the Hipon Gang of Iligan, your raucous but pleasurable company never fail to spark up even the most dormant energy and brain cells in me. With you, I’ve learned a lot of things other than those which reverberated in the workshop sessions. I love you, bullfrogish feelerettes!

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Sunday, June 01, 2008

being a hipon


Grammar check, language competence, poetic deficiency, and many more, these various features for criticism just never fail to pull us down from what literary pedestal we are standing on. Feelerette! In the 15th Iligan National Writers Workshop that ended last May 31, we were mere fellows and the likes of Leoncio Deriada, Rosario Cruz Lucero, Christine Godinez-Ortega, Tony Enriquez, Man Gervacio, Victor Sugbo and Ralph Galan were the masters.

Well, they did send us monsters. The almost-daily mentioning of “this is an attempt…”, “the problem of this piece…”, and “this will work if…” still ring in my mind. Obviously that’s the purpose of a writing workshop; to be assailed with comments and lessons that stem from one’s very own glory piece.

In my case, who finally got into a serious workshop to have my English poems critiqued by established Filipino poets, I considered myself lucky (except for the colds and cough that I got for being enclosed inside the Elena Towers Hotel with artic air-conditioners). The remarks I received were Level 7.5 Bad (in a range from 1 to 10) and this rating proved that what I thought was enough was never adequate. Remain humble and continue writing. We, fellows, all learned this: Pride in the field of writing never works so what better way of receiving hurting analysis and study is to become a hipon. Forgive the Kafkaesque inside joke here but this was the most effective technique to execute when one had to agree with the Panelists’ observations other than nodding while smiling at the same time with tears welling up in our eyes (this is an exaggeration).

The origin of this “becoming a hipon” still stemmed from one of my many adventures in the Dumaguete Workshop so explaining the whys and the hows here is tasking. Let’s just state that a hipon is basically a shrimp and that a shrimp has scales, scales which strengthened our outer look that subsequently gave us an almost emotionless and expressionless face when we, fellows, decided of metaphorically transforming into one during the sessions. Now, I’m back in Tagbilaran and still coughing.

(Top row L-R: Erick Dasig Aguilar, Xer Jason D. Ocampo, Ma. Elena L. Paulma, Marion B. Guerrero, Efmer E. Agustin, Krisza Joy P. Kintanar, John Lorenz S. Poquiz, Fred Jordan Mikhail T. Carnice. Bottom Row L-R: Sarah Jane D. Sebastian, Leonilo D. Lopido, Samantha G. Echavez, John Philip A. Baltazar, Marius Angelo G. Monsanto, Luciano L. Abia IV, Niño Manaog, Evangeline B. Gubat)

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Saturday, May 03, 2008

15th iligan national writers workshop fellows

The results are in. I guess I have to immediately jump off to Iligan after the Dumaguete Workshop. Two word tortures in one month? Well, here’s to the watering of my ambitious take on the field of literary arts.

The National Commission for Culture and Arts (NCCA), the Mindanao Creative Writers Group, Inc. in cooperation with the MSU-Iligan Institute of Technology’s Office of the Vice Chancellor for Research and Extension (MSU-IIT-OVCRE) announce the 15 writing fellows to the 15th Iligan National Writers Workshop on May 26-31, 2008 in Iligan City.


LUZON
Samantha G. Echavez, UP Diliman (Fiction in English)
Sarah Jane D. Sebastian, UP Diliman (Fiction in Filipino)
Erick Dasig Aguilar, UP Diliman (Poetry in Filipino)
Evangeline B. Gubat, Ateneo de Manila University (Poetry in English)
John Lorenz S. Poquiz, University of Santo Tomas (Poetry in English)


VISAYAS
Fred Jordan Mikhail T. Carnice, Silliman University (Poetry in English)
Nino Manaog, Ateneo de Naga University (Poetry in English)
Leonilo D. Lopido, Leyte Institute of Technology (Poetry in Waray)
Luciano L. Abia IV, UP College Tacloban (Poetry in Waray)
Efmer E. Agustin, UP Visayas/Abuyog (Fiction in Cebuano)


MINDANAO
Krisza Joy P. Kintanar, UP Mindanao (Fiction in English)
Marius Angelo G. Monsanto, UP Mindanao (Fiction in English)
Ma. Elena L. Paulma, UP Diliman, (Poetry in English)
John Philip A. Baltazar, Xavier University (Poetry in English)
Xer Jason D. Ocampo, UP Mindanao (Poetry in English)


Panelists this year are Ma. Rosario Cruz Lucero, Leoncio P. Deriada, German V. Gervacio, Victor N. Sugbo, Merlie M. Alunan, Jaime An Lim, Steven Patrick C. Fernandez, keynote speaker, Antonio Reyes Enriquez and Christine Godinez-Ortega, the 15th INWW Director.

Highlights of this year’s workshop include the launching of the 14th INWW Proceedings titled, Fire and Faith in Writing edited by Godinez-Ortega and published by the MSU-IIT OVCRE; a lecture by INWW alumnus, Ralph Semino Galan; the Jimmy Y. Balacuit Literary Awards; and, the launching of the Manuel Buenafe Writing Fellowship and the Ricardo Jorge S. Caluen Writing Bursary.

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state of shock

Unexpected inclusions in our day-to-day familiarity of living have only two things to offer: things worthy and things worthless. But when I arrived home minutes ago, I received some news that definitely fit under the first suggestion; I got a letter of confirmation to become one of the fifteen fellows in the 15th Iligan National Writers Workshop (INWW). I became super-happy because in one summer break there’s a possibility that I’ll be joining in two workshops; the Dumaguete (of which I’m already officially involved as a fiction fellow) and the Iligan (as a poetry fellow, of which most of my works are misery-induced). Suddenly, something came in: I’ve got to be in Tibanga, Iligan City by May 25 but the other workshop would probably end on that exact date, too. My goodness! Oh my, what should I do? But there’s a glimmer of hope though; Kuya Bron, who’s a fellow for poetry in the Dumaguete workshop, told me that the SU English Department planned of closing the event by May 22. Whooo! After all of these coming into my life I say that things, along the run of the slow ache-obliterating time, are getting better indeed. It’s ironic that my being emo just got me into two national writing workshops. Hail to side-swept hair? Never. I had enough.
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