Sunday, November 17, 2019

call for manuscripts to the 59th silliman university national writers workshop


The Silliman University National Writers Workshop is now accepting applications for the 59th Silliman University National Writers Workshop to be held from 27 April to 8 May 2020 at the Silliman University Rose Lamb Sobrepeña Writers Village and the Silliman University campus.

This Writers Workshop is offering ten fellowships to promising writers in the Philippines who want to have a chance to hone their craft and refine their style. Fellows will be provided housing, a modest stipend, and a subsidy to partially defray costs of their transportation.

To be considered, applicants should submit manuscripts on or before 6 December 2019. (Extension to the deadline will not be made.) All manuscripts should comply with the instructions stated below. (Failure to do so will automatically eliminate their entries).

Applicants for Fiction and Creative Nonfiction fellowships should submit three to four (3-4) entries. Applicants for Poetry fellowships should submit a suite of seven to ten (7-10) poems. Applicants for Drama fellowships should submit at least one (1) One-Act Play. Each fiction, creative nonfiction, or drama manuscript should not be more than 20 pages, double-spaced. We encourage you to stay well below the 20 pages. Aside from manuscripts in Poetry, Fiction, Creative Nonfiction, and Drama that should be written in English, the Workshop will also be accepting manuscripts for Balak (poetry in Binisaya) and Sugilanon [short story in Binisaya]. Applicants should submit a suite of seven to ten (7-10) balak entries with their English translations, or three to four (3-4) sugilanon entries with their English translations.

Manuscripts should be submitted in five (5) hard copies. They should be computerized in MS Word, double-spaced, on 8.5 x 11 inches bond paper, with approximately one-inch margin on all sides. Please indicate the category (FICTION, CREATIVE NONFICTION, POETRY, ONE-ACT DRAMA, BALAK, or SUGILANON) immediately under the title. The page number must be typed consecutively (e.g., 1 of 30, 2 of 30, and so on) at the center of the bottom margin of each page. The font should be Book Antiqua or Palatino, and the font size should be 12.

The applicant’s real name and address must appear only in the official application form and the certification of originality of works, and must not appear on the manuscripts. Manuscripts should be accompanied by the official application form, a notarized certification of originality of works, and at least one letter of recommendation from a literature professor or an established writer. All requirements must be complete at the time of submission.

Send all applications or requests for information to the Department of English and Literature, attention Dr. Warlito Caturay Jr., Workshop Coordinator, 1/F Katipunan Hall, Silliman University, 6200 Dumaguete City. For inquiries, email us at nww@su.edu.ph or call 035-422-6002 loc. 350.

[ photo borrowed from this site ].

another kid in peril


Now I found this a really good horror movie. I just don’t understand why this is sent straight to Netflix instead of showing it in movie theaters. Eli is the kind of good because of its wackiness. It starts gentle, moody, and then strange (of course), just leisurely ticking off the boxes of anything that you’d expect to see in this kind of movie. The tropes are all here. And then all of a sudden, it is totally not the movie you have imagined it to be the entire time, even in the final minutes. The cast is perfection, especially Charlie Shotwell, Kelly Reilly, and the ever reliable horror staple Lily Taylor. I didn’t mind its pacing and tone. They do serve as the right appetizers for the dessert that’s about to come. Eli is pretty sly. It is littered with moments that spoonfeed you with suggestions that you know what it’s all about. They are easy to spot if you’ve seen countless horror films. Until that third act unravels. It just flips the tables and goes hard for the jugular. There’s this one sequence near the end that’s equal parts poetic and nasty. It’s just crazy! And that’s what makes it fun. Enjoy.

[ image borrowed from this site ]