Tuesday, September 19, 2017

beyond words


Jason Paul Laxamana’s “100 Tula Para Kay Stella” looks like it is the only movie in the Pista ng Pelikulang Pilipino lineup that aims to entice the rom-com crowd. I thought I would be naturally repulsed, even with its premise of love and literature, but it should be noted that it is more than that. Framed by early 2000’s college academic years, the story revolves around JC Santos’ Fidel, who has a speech impediment and who falls for the devil-may-care attitude of Bela Padilla's Stella. He begins to write poetry and plans to gift her with a compilation of his works. Although the titular 100 poems leave a lot to be desired and could’ve been a chance to showcase our country’s rich verse literature, the device works in that it mirrors the ups and downs of the plot (albeit too conveniently). Winning someone with poetry seems quaint at this day and age (it doesn’t work, trust me), a formula probably culled from old Hollywood romantic comedies, but you could really dismiss this complaint because of the chemistry of the two leads. Bela Padilla is that type of actress who can embody a character without the usual self-awareness that plagues her contemporary. In this film, she truly is Stella—pained but passionate, indecisive but headstrong—and you'll understand why JC Santos’ naive Fidel would go to great lengths to win her despite her flaws. And above all, one thing that separates this movie from the rest of the millennial love stories out there is this: Just like poetry, its emotions are honest and raw, and what we may learn from them may not necessarily be what we want to have. The truth does not only reveal; it also hurts.

[ photo borrowed from this site ]

from eight to X



Last Wednesday, September 13, new phones from Cupertino are finally unveiled to the world. Meet the iPhone X (pronounced as iPhone “ten”) and its younger siblings the iPhone 8 and the iPhone 8 Plus.

I personally find it funny that Apple branded its latest and most advanced iPhone with the a fancy, pompous Roman numeral “X”. Obviously it is a nod to the iPhone’s 10th anniversary in the tech world, but this move just made all the Galaxy S8s, S8 Pluses, and Note 8s of Samsung this year look inferior. Which is a brilliant marketing move. If the accompanying numbers really do matter, I encourage Samsung to name their next phones with 10 to the power of 10. Or why not jump ahead to 200? You know, like, Samsung Galaxy S10 to the nth power. Or Samsung Galaxy Note200. Let the numbers war begin! But, of course, if numbers are all the craze, they have no match to Nokia 3310 or 5110.

Kidding aside, the design language of the latest iPhones has not differed that much from its previous iterations. I like it. It remains gorgeous and easy on the eyes. But looking at my iPhone 6 right now, which was first released 2014, just makes me think I am holding a relic from a distant past. It feels ancient. It has been with me for a long, long time already, and as much as I’d like to upgrade my phone, these new editions have prices that are incredibly steep and daunting. How am I supposed to get one of these? Sell a kidney? That’s a thought. Or I might as well consider Samsung’s Galaxy Note 8. At least I’d get it for half a kidney.

[ photo borrowed from this site ]

Monday, September 18, 2017

below budget

Remember that secret jail cell in a Manila police station that illegally detained people for ransom last April? CHR discovered that. Remember that motion to bring back death penalty which somehow only favored the punishment of the underprivileged? CHR challenged that. There are several cases more, which should be enough to put into anyone’s minds how the CHR functions in this country.

Now, under the influence of Duterte, our government slashed the CHR’s budget to a puny P1,000 for an entire year not because they are not doing their jobs. They cut it down so abhorrently because they are doing their jobs really, really well. CHR is on the right track to discovering one of the biggest problems that continues making this nation sick. Whether you like it or not, CHR proved to be the light in the Duterte administration’s darkness.

When these congressmen are asked what their reasons are for voting yes to that decision, my world crumbled when I learn these people basically do not know the mandate of the Commission on Human Rights (CHR). They have no idea how the agency works. We are in the year 2017, and I guess everyone now is adept at stalking and Googling relevant information for fact-checking. A little effort goes a long way.

totally dead, totally alive

August was such a busy month I could only wish I was at two or several places at once. Also, September. That explains the minimal posts in here lately, which is regrettable since there has been a lot to talk about last month, and that includes the first ever Pista Ng Pelikulang Pilipino in the Philippines. It aims to be a festival that precedes the much-maligned, money-centric festival that arrives in December. The less we talk about that trash the better. As much as I’d like to watch all of the PPP films, I only got to see five of them. And starting today, I’d share my thought about them, starting with this one.




What an odd, little film this is. Victor Villanueva’s “Patay Na Si Hesus”, one of the films screening for Pista Ng Pelikulang Pilipino, is a black comedy that strangely works even if it combines Tagalog and Bisaya humor. There are tones of “Little Miss Sunshine” and “Sideways” here, and I am not complaining. This is definitely road-trip movie—a genre not fully mined and realized in our country’s filmmaking circles and not appreciated by moviegoers—that features a family matriarch taking her children from Cebu to Dumaguete to attend the wake of her husband. It could have been as simple as that, if not for its strange family dynamics and scatterings of visual gags that are so hilarious, so out-there. I've never laughed so hard at the sight of Legos and a TV set until today (you should see them for yourselves). And that bathroom scene early on in the film, I find it so difficult to forget considering I once knew someone who believed that practice for a while. And Chai Fonacier is a delight; although her character borders on the absurd, her decisions and consequences feel real. It is far from perfect though. It definitely needs some judicious amount of script tightening, and the editing can sometimes feel like it is rushed. You’d also get a feeling that this mostly-Bisaya film is not written by a Bisaya at all. But its irreverence, boldness, and all of the actors’ willingness to dive headfirst into the absurd all make up for these, ultimately creating a movie that is charming and one that leaves you smiling even in these tough, dark times.


[ photo borrowed from this site ]

Saturday, September 02, 2017

67th carlos palanca memorial awards for literature winners


In the Philippines, September usually heralds the special announcement of a select group of people who will be receiving some special recognition. This is the Carlos Palanca Memorial Awards for Literature, and as celebrated yesterday evening, at the Manila Peninsula Makati, it is on its 67th year.

And what a wonderful night of literature and like minds, especially to my friends who won! Shout out to Jesus and Glenn, and to my batch-mates in the Silliman Writers Workshop (47th batch, Katsubongs represent!)—Dustin, Noelle, Tokwa, and Igor! I was supposed to submit my manuscript but I forgot the deadline. Petty excuse, I know. Next time, I will make sure I have set my alarm. Here are the winners:

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KABATAAN DIVISION

KABATAAN SANAYSAY
1st Prize: NO WINNER
2nd Prize: Carmel Joy F. Vergara, Patlang
3rd Prize: Robyn Therese V. Jocom, Sungkitin Pabalik ang Nakalipas

KABATAAN ESSAY
1st Prize: Alpheus Matthew D. Llantero, The Adventure of an Alien and the Matalino Kid
2nd Prize: Pauline Sherice Wee, Culture Redefined
3rd Prize: Marielle Fatima B. Tuazon, The Pursuit of Lucidity

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FILIPINO DIVISION 

MAIKLING KUWENTO
1st Prize: Andrian M. Legaspi, Sa Pagitan ng Sabaw ng Chaolong at Hilab ng Tiyan
2nd Prize: Valentine Dula, Patintero
3rd Prize: Nicko M. de Guzman, Troll

MAIKLING KUWENTONG PAMBATA
1st Prize: Maryrose Jairene Cruz-Eusebio, Ang Patay-gutom
2nd Prize: Josel Luigi F. Creencia, Lato't Ginto
3rd Prize: Cheeno Marlo M. Sayuno, Si Tiya Salome

SANAYSAY
1st Prize: Eugene Y. Evasco, Ang Mapa ng Taglagas sa Aking Maleta
2nd Prize: Will P. Ortiz, Sisid
3rd Prize: Mubarak M. Tahir, Aden Bon Besen Uyag-Uyag (May Buhay Pa Pala)

TULA
1st Prize: Christian R. Vallez, Sa Pagitan ng Banal at Karnal
2nd Prize: Jason G. Tabinas, Na Inyong Ikinalulunod
3rd Prize: Rogelio Dela Rosa Jr, Tanghod at iba pang Paghihintay

TULA PARA SA MGA BATA
1st Prize: John Vincent J. Bucal, Muwang ng Musmos
2nd Prize: Errol A. Merquita, Tagulilong: Ang mga Nawawala
3rd Prize: Paterno B. Baloloy, Jr, Agam-Agam ng Langgam

DULANG MAY ISANG YUGTO
1st Prize: Eljay Castro Deldoc, Pilipinas Kong Mahal With All the Overcoat
2nd Prize: Rodolfo Carlos Vera, Indigo Child
3rd Prize: Dominique Beatrice T. La Victoria, Ang Bata Sa Drum

DULANG GANAP ANG HABA
1st Prize: Dustin Edward D. Celestino, Ang Pangahas na si Pepe Rodriguez
2nd Prize: Joshua L. Lim So, Araw-araw, Gabi-gabi
3rd Prize: Vincent A. De Jesus, Changing Partners

DULANG PAMPELIKULA
1st Prize: Rodolfo Carlos Vera, Ang Aking Juan Luna
2nd Prize: Kristian Sendon Cordero, Kulto ni Santiago
3rd Prize: Avelino Mark C. Balmes Jr, Pablo Ocampo Extension


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REGIONAL DIVISION

SHORT STORY – CEBUANO
1st Prize: Jondy M. Arpilleda, Bunok
2nd Prize: Manuel M. Avenido, Jr, Panagtigi
3rd Prize: Errol A. Merquita, Aninipot


SHORT STORY – HILIGAYNON
1st Prize: Jesus C. Insilada EdD, Tinuom
2nd Prize: Peter Solis Nery, Ang Milagro sa Ermita
3rd Prize: Leonard Francis M. Alcoran, Ang Itlog nga wala Nagabalibad

SHORT STORY – ILOKANO
1st Prize: Ronelyn Ramones, Ti Lubong ni Anastasia
2nd Prize: Lilia Quindoza Santiago PhD, Siak Ti Interpreteryo
3rd Prize: Ariel Sotelo Tabag, Dado


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ENGLISH DIVISION

SHORT STORY
1st Prize: John Bengan, Disguise
2nd Prize: Katrina Guiang Gomez, Misericordia
3rd Prize: Joe Bert Lazarte, Don't Blink

ESSAY
1st Prize: Michelle Josephine G. Rivera, In My Father's Kitchen
2nd Prize: Paul Gideon D. Lasco, The Art of "Hugot" in our Republic of "Sawi"
3rd Prize: Jade Mark B. Capiñanes, A Portrait of a Young Man as a Banak

POETRY
1st Prize: Noelle Leslie dela Cruz, Sisyphus on the Penrose Stairs: Meta-Reveries
2nd Prize: Rodrigo V. Dela Peña Jr, Blood Compact
3rd Prize: Hurjay Medilo, Elegy for a Dying World

POETRY WRITTEN FOR CHILDREN
1st Prize: Cynthia Baculi-Condez, From Dawn to Dusk
2nd Prize: Patricia Celina A. Ngo, Magical Mall of Mysteries
3rd Prize: Ma. Amparo N. Warren, Animal Songs/Just So Poems

ONE-ACT PLAY
1st Prize: NO WINNER
2nd Prize: NO WINNER
3rd Prize: Joshua L. Lim So, Sa Syquia, Malate, Kabanata II: Letting The Days Go By

FULL-LENGTH PLAY
1st Prize: Dustin Edward D. Celestino, The Story of This Father
2nd Prize: Joachim Emilio B. Antonio, exesanonymous.com
3rd Prize: NO WINNER


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GRAND PRIZES

NOBELA
Grand Prize: Eros S. Atalia, Ang Ikatlong Anti-Kristo

NOVEL
Grand Prize: Glenn L. Diaz, The Quiet Ones.