Showing posts with label bacolod. Show all posts
Showing posts with label bacolod. Show all posts

Tuesday, May 15, 2012

what follows will always be necessary


It is the month of May. Aside from sand, sea, and sun (and nowadays, a little bit of rain), it is the season of writers workshops. You know, those little groupings that allow little men to discuss and rant off intents, objective correlatives, punctuation marks, caesuras, etc. for a couple of days with big men as their necessary acoustics

Dumaguete (2008)

And since the Millennials are said to be harbingers of glorifying nostalgia, even if my belonging to it remains to be debatable, I would not ignore this opportunity to skip a few years back with these mandatory snapshots and, well, notice what has transpired from this to this.


Iligan (2008)

 The memories that cling to them are eerie, but I think that is the point of recollection. To know which to hold on to, which to steer clear of. They may be still recognizable but they could be unusual now. Things do change.


Bacolod (2010)
  
Well, I believe there will never be a path that leads to an absolute destination, there will never be sameness (there could be a hint), there will never be symmetry of the sort that would make Wes Anderson blush. There is only incongruence, there is only difference, and maybe even chaos, the kind that completely distorts, if not erases, the trajectory of Point A to Point B, making you ask, “Where is he now? What happened to her? or “Why?

But it seems they do not really matter that much. What follows is what is important, what will always be necessary. The practice of writing, after all, is a self-imposed struggle of looking back while plunging headfirst into possibilities, good or bad. Now, I could only glance at the photos with a wry smile. I am going to Dumaguete in a few hours. 

Wednesday, April 11, 2012

12th iyas creative writing workshop fellows

Congratulations, Ynna and Miro! You can stop eating right now. The city of Bacolod would probably fill you up with a year’s worth of sumptuous food. Pasalubong!

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The IYAS Creative Writing Workshop of the University of St. La Salle (USLS), Bacolod City, has selected 15 Fellows for 2012, out of 81 applicants from the country and abroad. Here are fellows:

Fiction Fellows

Maria Amparao Warren (English)
Brylle B. Tabora (English)
Chuckie Perez Manio (Filipino)
Anthony de la Cruz (Filipino)
Daryl Nino Toring Jabil (Cebuano)
Fr. Reynaldo Villanoy Jr. (Hiligaynon)

Poetry Fellows

Miro Frances D. Capili (English)
Ramon Enrico Damasing (English)
Early Sol Gadong (Hiligaynon)
GL John Clavel Haro (Hiligaynon)
Mariane A.R.T. Abuan (Filipino)
Gratian Paul R. Tidor (Cebuano)
CD Borden (Cebuano)

Drama Fellows

Fundador Tipon III (Hiligaynon)
Mario Mendez (Filipino)

IYAS will interface with the Kritika National Workshop on Art and Cultural Criticism sponsored by the De La Salle University Bienvenido N. Santos Creative Writing Center (BNSCWC) and the National Commission for Culture and the Arts (NCCA) which will also be held on the same dates at USLS.

The interface activities are: film screening of “Oro, Plata, Mata” by Peque Gallaga; a craft and reading lecture by Dr. Stuart Cooke; and an introduction to Negrense culture through trips to cultural landmarks in Talisay, Silay, and Victorias cities.

The IYAS Workshop Director is Dr. Marjorie Evasco and the panelists for this year are Dr. Genevieve Asenjo, Dr. Ronald Baytan, Prof. Danilo M. Reyes, Ms. Grace Monte de Ramos, Mr. John Iremil Teodoro, and guest panelist Dr. Cooke from Australia. IYAS Founder Dr. Elsie Coscolluela also sits in the panel.

The IYAS Creative Writing Workshop is co-sponsored by the BNSCWC and the NCCA, and will be held on April 22 – 28, 2012 at the Balay Kalinungan Complex of the USLS, Bacolod City.

Tuesday, February 21, 2012

12th iyas creative writing workshop call for submissions


The 12th IYAS Creative Writing Workshop is now accepting applications. The workshop will be held from April 22 – 28 at the University of St. La Salle in Bacolod City. Fellows will be given a grant to cover board and lodging and partial transportation subsidy. The panelists will be Dr. Marjorie Evasco, Ms. Grace Monte de Ramos, Dr. D.M. Reyes, Dr. Genevieve Asenjo, Prof. John Iremil Teodoro, and Dr. Ronald Baytan.
RULES

Applicants, using a pseudonym, should submit original works of any of the following: Poetry (6 poems); Short Stories (2 short stories); or One-Act Plays (2 plays).

Use font size 12; submit 5 computer-encoded hard copies of entries, bound or fastened, in separate folders, with in data CD.

Submissions must be accompanied by a sealed size 10 business envelope containing the author’s real name and pseudonym, a 2x2 ID photo, and a short resume; entires must be mailed on or before March 11.

Entries in Cebuano, Hiligaynon, Tagalog, or Filipino may be submitted. Fellowships are awarded by genre and by language.

SUBMIT APPLICATIONS TO:

Darlyn Simbiling
Iyas Secretariat
University of St. La Salle, Bacolod City
FOR INQUIRIES:darlyn_omori@yahoo.com

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IYAS was an experience. With Ma’am Elsa Coscolluela sparking a wonderful idea in my head, I learned a lot from this workshop. I believed it would be my last, too. Unless, of course, I would stumble on another creative block.

Wednesday, April 27, 2011

11th iyas creative writing workshop fellows

This may be too late an announcement, but this is a self-imposed initiative for having been part of the growing family in its 10th edition (yeah, just last year), which I think would be my last following my participation in Dumaguete and Iligan workshops back in 2008. I have learned a lot from this gathering. And I hope for the same thing to the new fellows listed below:

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IYAS announces its Roster of Fellows for the 11th IYAS Creative Writing Workshop at the Balay Kalinungan, University of St. La Salle in Bacolod City, Philippines on April 25-30.

Fiction Fellows

Michelle Abigail Tan (English)
Karlo Antonio David (Filipino-Playwriting/Drama)
Rom Peña (Filipino-Kuwento)
Norman Darap (Hiligaynon)
Jayson Parba (Cebuano-Sugilanon)
Romeo Bonsocan (Cebuano-Sugilanon)

Poetry Fellows

Ronn Andrew Angeles (English)
Ronaldo Recto (English)
Louise Vincent Amante (Filipino)
Cor Marie Abando (Filipino)
Rogie Bacosa (Hiligaynon)
Chuvic Monserate (Hiligaynon)
Darylle Rubino (Visayan)
Desiree Balota(Cebuano)
Ioannes Arong (Cebuano).

The panelists for this year are: Dr. Marjorie Evasco, Dr. Gerardo Torres, Dr. Genevieve Asenjo, Dr. Christine Ortega, Prof. Danilo M. Reyes and Prof. John Iremil Teodoro.

The IYAS Creative Writing Workshop is sponsored by the University of St. La Salle, the Bienvenido N. Santos Creative Writing Center of De La Salle University and the National Commission for Culture and the Arts.



Thursday, April 07, 2011

small notes of a big trip

Traveling can be an excuse to escape the humdrum of anything that you’ve been currently in (unless, of course, you’re lucky and happy on where you’re currently in). But that might be the point of it all. Traveling, local or not, gives us the momentary thrill and newfound sense of familiarity of discovering foreign tastes, places, and people. Or basically the exact opposite of things we relentlessly complain about.

That is why from March 31 to April 3, the usual culprits grab their packed bags and put on their happy-joy-joy smiles, all giddy for the B.I.G. trip (that’s Bacolod-Iloilo-Guimaras for us who love to put a silly spin on our expeditions). But for such a short period of time, especially for three major destinations, we only had little snippets of experiences of the spots visited.

I am not particularly sure with the rest of my peers but the experience altogether is sufficient for the writing project I’ve been brewing on for the last couple of months. Yes, a personal project that involves a lot of traveling and a lot of cashing out, so that makes me half-mature for discipline and half-juvenile for indulgence. And for all the Amazing Race jaunting we had just to cover every inch of every new territory (for some), here is what I have got to say:

Bacolod

It’s still the same, the last time I have visited it eleven months ago, and the first time four years ago. There is a changed degree of busyness in the streets but the blanketing quietude is still there. A companion wondered where all the skyscrapers are. Fact one: despite the absence of tall buildings and towering billboards, Bacolod is one thriving city of cultural and business progression in Negros Occidental. And for me, fact two, the place is all about food. For our budgeted time, we had to settle to Chicken House for their inasal, Café Bob’s for their disturbingly reasonable top-notch coffee drinks, and Calea, of which it never failed in making me a sucker for their cakes and pastries. Hands down it’s one of the best.

After all the food binging, off we went to Talisay City’s The Ruins. Since no amount of sun-dance could bring the fiery sun out of the clouds, we remained thankful that the day did not offer us rain instead. (Fact three: locals shared that we were lucky—days and weeks before we arrived the province was washed in almost-ceaseless downpour, morning until evening). Story of the skeletal grand house replayed in my head but our guide, who was supposed to be enjoying his day-off if not for our timely appearance, is a comedic historian in a positive way. We listened to Roger, who impeccably pronounced his name as ‘Row-Jhur,’ even if I heard it all in the past. Time was running fast, so we purchased our mandatory pasalubong at Bong-Bong’s before rushing on to our next trip.

Guimaras

Though Iloilo supposedly followed in the chronology of our B-I-G Trip, we only got to linger in this city for a couple of minutes, in transit for the moment. But after our stay in Guimaras, we will have Iloilo City all by ourselves for one night and one morning before we all fly back to Manila.


We arrived at Guimaras’s Jordan Wharf in the Municipality of Jordan (it’s not a joke, though they articulate it as ‘hor-dan’) in the early afternoon of April 1. Between our twenty-to-thirty minute ride via multicab to Kenyama Beach Resort, we stopped over at a local dry market to raid boxes upon boxes of the island province’s world-famous mangoes. And here’s one important tip for future visitors: make sure the fruit stall where you’ll be buying your mangoes has a license or permit of something. This way you can assure yourselves of the sweetest carabao mangoes that appeared on the pages of the Guinness Book of World Records in 1995.

Not to dampen anyone’s spirits but one has to be as compliant as ever when it comes to accommodations. Some resorts basically had no 24/7 electricity and running water, so ours can be considered luxury at its best. Though the night was always young in Guimaras, seconds moving in turtle pace, we got some shuteye by twelve midnight to visit the white sand beaches in some nearby coves, caves especially one where you can drink water that drips from its stalactites, and the lonely lighthouse that sits on the edge of a cliff. Before six in the evening, we all returned to Jordan Wharf as the sun set, the pier turning gold like the island’s mangoes.


Iloilo

We were back in Iloilo, and I have never seen a province, or a city at that, packed with so much malls and department stores. Imagine, if I am not mistaken, three SM Malls! What is even more interesting to note is that they do not look cramped and crowded like other [over]developed counterparts.


Whether it is due to the looming flight back to Manila or the settling of exhaustion in our bodies, we find that the place seemed to be in a constant rush, people somewhat dressed for a special occasion, with nightlife throbbing at Smallville, a Western Visayas version of Eastwood City, Libis. But no one was complaining. We got to visit one mall for a pair of slippers and a headband, bought another set of pasalubong at Biscocho House, and dined at Ted’s for their piping hot bowl of special batchoy. After a few rounds of drinks at JAQ’s, coffee and buns at KopiRoti (yes, we specifically had to visit this branch in Iloilo), chatter, and more chatter, the grouped returned to Riverside Inn for a much-needed quick nap.

By 6:45 in the morning of April 3, we found ourselves in a plane cabin, all worn out but with smiles on our faces, that rare kind of smile that could only come across in days spent with the right people at the right time. Today’s Thursday, we are back to our office grind.


Monday, May 03, 2010

how writing grows: after the 10th iyas creative writing workshop


I was excited being the first to arrive at 6:30am in Balay Kalinungan at La Salle Bacolod two Sundays ago, and all of a sudden, cheerless next being the last to leave the place, seeing people you’ve grown to like packing their bags and leaving the doors with a hesitant wave inside their taxis. It was a sad image, recycled over and over in my head.

Like any gathering such as the 10th Iyas Creative Writing Workshop held last April 25-May 1, leaving each other’s familiar presence is but the final untold session of all: the parting tests the strength of bond.

For practicing writers, this bond is what keeps the craft going: the exchanges of ideas, the developments of verses, the first drafts of stories, or simply the never-ending swaps of rumors, both humorous and not.

I hope my co-fellows—Anne Abad, Elsed Tongonon, Gino Francis Dizon, Jesus Insilada, Vernan Jagunap (for fiction), Alyza Taguilaso, Arbeen Acuña, Gian Paolo Lao, Glenn Muñez, Noel Fortun, Paul Gumanao, Roselle Ibabao, Sim Gadugdug, Charmaine Luzano, and Rogerick Fernandez (for poetry)—will soon realize this. But I am sure they will.

Humility aside, I have been to two writing workshops already (one in Dumaguete and another in Iligan) and I can attest that constant communication with fellow like-minds brings out the best of anyone. And being in the tenth installment of Iyas, thereby approximately affirming and reaffirming the birth of a hundred or so budding writers in the country, is one proof that that really is no lie.


In retrospect, I came in prepared for the workshop, considering that this would be my third, but the keen insight and dissecting skills of Dr. Elsa Coscolluela, Dr. Danilo Francisco M. Reyes, Dr. Anthony Tan, Dr. Dinah Roma-Sianturi, Dr. Genevieve Ansenjo, and Prof. John Iremil Teodoro—our formidable panelists of varying literary discipline—never fail to resonate the fact that I was there to learn, to be immersed in their knowledge and talent that could blow anyone’s mind away.

Though all fellows had their fair share of the spotlight in the workshop sessions, special mention should still be made to the fellows for the regional languages (Hiligaynon, Kiniray-a, Cebuano, and Boholano). Their showcase of promising discipline, mastery of language and technique put more weight on the fact that talent and the ability to relay an insight no matter what locality it is based from do not revolve around the English and Tagalog languages only.

And here’s another reminder: No matter how far you’ve gone, with Iyas, the seed that promises a canopy of wisdom and a trunk for the pillars of our future praises, there’s always room for improvement.

To all fellows, I’d like to say that writing and its results are like taking care of a bonsai—to see its startling beauty, one must endure the aching and hard steps of trimming, bending, wiring and rewiring.

Since all beautiful things start with a seed, it is only fitting that by the time we see the point of going back to revising our entries in the workshop, if time permits, let us pull our manuscripts from the envelope, study the branching comments that peek out from a sentence, the erasures that seem tentative in their repose in one specific verse, and keep the writing grow.

That is how our writing will grow.


Wednesday, April 21, 2010

10th iyas creative writing workshop fellows


After submitting the same (sort of) kind of works (like those from my 47th Duma) to this workshop in the past year and getting rejected through e-mail, the only sane thing to do is to get out of my niche and send something entirely beyond what I have been heavily influenced in college. I think I have done the right thing for risking a little bit. I made it—this time, for fiction naman! Here’s the official statement released by University of St. La Salle Bacolod's website:

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The IYAS Creative Writing Workshop proudly announces its roster of Fellows for 2010.

Fellows for Fiction
Fred Jordan Carnice (English)
Roselle Jimeno (English)
Vernan Jagunap (English)
Gino Francis Dizon (English)
Anne Carly Abad (English)
Jesus Insilada (Hiligaynon).

Fellows for Poetry
Gian Paolo Lao (English)
Alyza Mary Taguilaso (English)
Charmaine Carreon (English)
Arbeen Acuña (Filipino)
Noel Fortun (Filipino)
Rogerick Fernandez (Filipino)
Paul Randy Gumanao (Cebuano)
Glenn Muñez (Cebuano)
Elsed Togonon (Kinaray-a)
Simplicio Gadugdug (Boholano)

The panelists for this year are Dr. Dinah Roma-Sianturi, Dr. Elsie Coscolluela, Dr. Genevieve Asenjo, Dr. Danilo M. Reyes, Dr. Anthony Tan and Prof. John Iremil Teodoro.

The IYAS Creative Writing Workshop is sponsored by the University of St. La Salle and the Bienvenido N. Santos Creative Writing Center of De La Salle University and the National Commission for Culture and the Arts.

The 10th IYAS Creative Writing Workshop is set on April 25- May 1, 2010.