10th iyas creative writing workshop fellows

After submitting the same (sort of) kind of works (like those from my 47th Duma) to this workshop in the past year and getting rejected through e-mail, the only sane thing to do is to get out of my niche and send something entirely beyond what I have been heavily influenced in college. I think I have done the right thing for risking a little bit. I made it—this time, for fiction naman! Here’s the official statement released by University of St. La Salle Bacolod's website:

*

The IYAS Creative Writing Workshop proudly announces its roster of Fellows for 2010.

Fellows for Fiction
Fred Jordan Carnice (English)
Roselle Jimeno (English)
Vernan Jagunap (English)
Gino Francis Dizon (English)
Anne Carly Abad (English)
Jesus Insilada (Hiligaynon).

Fellows for Poetry
Gian Paolo Lao (English)
Alyza Mary Taguilaso (English)
Charmaine Carreon (English)
Arbeen Acuña (Filipino)
Noel Fortun (Filipino)
Rogerick Fernandez (Filipino)
Paul Randy Gumanao (Cebuano)
Glenn Muñez (Cebuano)
Elsed Togonon (Kinaray-a)
Simplicio Gadugdug (Boholano)

The panelists for this year are Dr. Dinah Roma-Sianturi, Dr. Elsie Coscolluela, Dr. Genevieve Asenjo, Dr. Danilo M. Reyes, Dr. Anthony Tan and Prof. John Iremil Teodoro.

The IYAS Creative Writing Workshop is sponsored by the University of St. La Salle and the Bienvenido N. Santos Creative Writing Center of De La Salle University and the National Commission for Culture and the Arts.

The 10th IYAS Creative Writing Workshop is set on April 25- May 1, 2010.

fellows of the 49th silliman university national writers workshop

Fellow Iligan Hipon and Cosmo Girl Samantha Echavez got in the workshop--just a year before it turns golden! Like any proud acquaintance, there's only one important thing that I can impart, "Inuman na!" Before I let out the party poppers, since she have yet to encounter the slicing and dicing of the panelists, here's the official statement of the list of fellows:

*

National Writers Workshop Director-in-Residence Rowena Tiempo Torrevillas, the National Commission for Culture and the Arts, and Silliman University are pleased to announce that the following young writers have been accepted as fellows for the 49th National Writers Workshop scheduled on 3-21 May 2010:

For Poetry

Gian Paolo Simeon Lao (Ateneo de Manila University)
Dominique Allison Santos (University of Santo Tomas)
Jacob Dominguez (University of Santo Tomas)
Oscar Serquina Jr. (University of the Philippines-Diliman)

For Fiction

Aaron James Jalalon (University of the Philippines–Mindanao)
Jenette Ethel Vizcocho (University of the Philippines-Diliman)
Gilda Ysobel Galang (Ateneo de Manila University)
Anne Carly Abad (Ateneo de Manila University)
Gino Francis Dizon (Ateneo de Manila University)
Jose Carlo Flordeliza (De La Salle University)
Ida Anita Del Mundo (De La Salle University)
Samantha Echavez (University of the Philippines-Diliman)

For Creative Non-Fiction

Kelly Marie Tulio Conlon (University of the Philippine–Mindanao)
Miro Frances Capili (University of the Philippines-Diliman)
Christina Mae del Rosario (Ateneo de Manila University)

trips to two provinces

A question made my eyebrows raise a bit when I was frolicking in the shallow waters in an islet that was a short boat-ride away from the shores of Caramoan: “Which is better, Bohol or Camarines Sur?”

I do not know how to respond but feebly say that the attractions of my home province tend to project a more relaxed and soothing atmosphere while CamSur, as it is famously known from across the globe by now, goes for the edge, the adventure fix of anyone’s needs.

Finally reaching the arc after nine hours

Yes, Bohol may be sporting new offerings lately—like Danao’s extreme activities such as the semi-bungee jumps, ziplines and numerous spelunking tours—but overall, what makes the land of Tarsiers, Loboc River Cruise, and Chocolate Hills a destination for the much-anticipated vacation is its quite charm. Like its neighbor, Negros Oriental, Bohol basks in a laidback setup that ironically calls attention to its natural undisturbed beauty.

For example, there are the beaches of Panglao. Like anyone who has stepped onto the blue seas and the wide stretch of white sand, the feeling of contentment is unmistakable. No need for bars muted by house music, no need for celebrities, just the things that are simply provided.

Dumaluan Beach in Panglao

Suislide in Danao

Café Lawis in Dauis

Camarines Sur, on the other hand, is one vast arena to make use of those dormant energies—especially for those who drill themselves into the seats of their offices five days a week. Though the long travel hours between the best spots around will definitely crush all forms of human feelings from numbness, these will all be forgotten once the destinations are reached.

Wakeboarding in Camsur Watersports Complex (CWC)

Visiting one of the islands around Caramoan

Sunset at CWC Obstacle Course

There is no need elaborating the differences between the two. Both are beautiful in their respective uniqueness, just like the rest of the provinces all over the Philippines that I have yet to visit. (This thought in particular makes me wonder why some people have to get out of the country to spend their vacation in shopping centers. The sundry places of our country do not only feed our eyes, they feed the soul. That is why it not surprising quite a number of scribes write about our country’s falls, mountain ranges, seas, and cities).

Now back to the question: Which is better, Camarines Sur or Bohol? I do not want to be biased. After all, I am from Tagbilaran, Bohol. I would let the photos speak for themselves, which will all honestly scream that I have enjoyed equal portions of the greats.

17th iligan national writers workshop set

[I know this is a little too late but I still go for the idea that this tiny promotion could help...]


The 17th Iligan National Writers Workshop will be held on May 24-28, 2010 in Iligan City.

The Iligan workshop is one of three national writers workshops in the country institutionalized by the National Commission for Culture and the Arts (NCCA).

Founded by Jaime An Lim, Christine Godinez-Ortega and Anthony L. Tan, the workshop opened in 1994 with Bienvenido Lumbera as its first keynote speaker.

The Iligan workshop accepts entries in English, Filipino and the regional languages: Sebuano (this is the correct spelling of Sebuano according to Philippine linguistics professors/researchers), Hiligaynon, Kinaray-a, Waray and Chabacano.

Each year, the Iligan workshop chooses a keynote speaker to deliver his address during its opening program that also features the MSU-IIT resident theater company, the Integrated Performing Arts Group, it gives a quota of five writing fellows per region and it is the only national workshop that publishes its proceedings. The proceedings contain the works submitted by writing fellows, their photos and bionotes and the commentaries of the panelists.

The panelists this year are: Ma. Rosario Cruz Lucero, Leoncio P. Deriada, Merlie M. Alunan, Victor N. Sugbo, Steven P.C. Fernandez, German V. Gervacio, Bro. Karl Gaspar, CSSR, the workshop director, Christine Godinez-Ortega and this year's keynote speaker, Lawrence Ypil of Ateneo de Manila University.

This is a unique year for the Iligan workshop however because there is no regular funding from the NCCA therefore, qualified writing fellows will have to either look for sponsors or fund themselves to enable them to attend the workshop.

The Iligan workshop would like the guidelines below to be posted in panitikan.com.ph so more will know about them.

Guidelines for Applicants

I. Application Form

Submit filled up application form. Download form at: www.msuiit.edu.ph

II. Sponsor

A qualified applicant has to have a sponsor this year to pay for his round trip transportation to and from Iligan City and for his board and lodging totaling P10,000.00 for the duration of the workshop.

III. Cash/check deposits

All payments should be deposited in the Mindanao Creative Writers Group, Inc. checking account no. 000-322-1107-07, Landbank, Iligan City . Please inform the MCWG Treasurer, Pat Cruz when the cash or check has been deposited. Tel. (063) 2232343 or cell no. 0917-716-2822.

IV. Qualification requirement

1. An applicant shall have attended a local or regional workshop before joining the INWW but this may be waived by the evaluators in meritorious cases.

2. Applicants should submit any one of the following [or one genre per applicant]:

· Poetry – 5 poems

· Short Story – one short story of not more than 30 pages, double spaced on regular bond paper

· Play – one, one act play

· Novel – one chapter of a novel or novel-in-progress. This must be accompanied by a background and a summary of the novel.

3. Entries should be encoded in Word Document, Times New Roman, font 12, double spaced on regular sized bond paper.

4. Entries accepted are: English, Filipino and in the regional languages – Hiligaynon, Kinaray-a, Sebuano, Waray, Chabacano. Translations in English should also be submitted with the manuscripts in their original languages.

5. One hard copy and a soft copy in CD [Word Document] of each entry are submitted with the application form and cover letter.

6. Address cover letter to:

Christine Godinez-Ortega
Director, 17th Iligan National Writers Workshop
c/o Office of the Vice Chancellor for Research & Extension
MSU-IIT, Iligan City

Tel. (063) 2232343

Contact Pat Cruz or Alice Bartolome

7. Deadline for all submissions: April 15, 2010

8. Qualified applicants will be notified by the INWW Director.

V. For other queries or details

Please call Pat Cruz or Alice Bartolome, MSU-IIT, OVCRE, tel (063) 2232343

twenty plus

“In this hour of acceptance...
I am not seeing what I wanted to see.”
29 March 2008 (SMS sent at 03:14am)

It is just one of those days in each year when one reflects occurring changes around: How does it feel? How do they taste now? What is that scent? Seeing things? Hearing voices?

Pardon for crushing your assumptions on mental struggles, but this is not a case of dementia. I may have numerous outbursts on matters both interesting and not, but I am too young for that. Young. Ah, the word…

How does it feel now?
“Young” seems to be a hobby these days rather than a natural stage in life. If one wants to feel a rush of thrill, go zip-lining. Or if one wants to feel nostalgic, check hundreds of albums in Facebook and satiate those longings. Youthfulness is available right then and there, pronto.

How do they taste now?
If the differentiation is based between the infant days and the now, of course, the distinction is epic. The tongue is an iconoclast now—sweet, sour, salty, and bitter are passé—there are umami, tangy, spicy, and the considerable sixth taste receptor for fat now. And if there’s one thing about taste right at this moment that is deeply relevant, it is the taste of success. Like wine, it enhances as it matures.

What scent is that?
It must be the stink from the cloud of pollution that aims to annihilate the lungs. The practicalities of making a living, after the episodic years of being sheltered in schools, from elementary to college, enforces the privileged man to find his own privileges, five days a week, nine hours a day, in a forest of smoke and scum.

Hearing voices?
Conversations inside the head just keep getting louder and louder. If the ruckus is not enough, another voice joins in from out of nowhere, and the overlapping discussions on pros and cons persist. Day by day, the fight between the logical, the irrational, and the safely unconditional grows bigger. And at this time, it is already Round 28,999.

Seeing things?

Youth is but a chunk of biceps here, a continent of a chest there, and a wad of cash somewhere. Wrinkles? Pond’s age defying cream or Nivea anti-aging skin care can take care of that. With consumable income at hand, one can see the bounties of youth in a blink of an eye (or if it’s through Pond’s or Nivea, in seven weeks). Never has the sin of vanity so highly esteemed and germane, I find the idea cute but strange.

* * *

Year after year, the senses become susceptible even to the littlest details. I do not want to assume that this is brought about from being a year wiser now—I still find that pompous. A year doubtful, perhaps, because I think it is better to be questioning at first than being ostentatiously sharp then outwitted next. Nothing beats the inquisitive mind.

And by the way, birthdays are birthdays. Digging up a glorified meaning in my annual numbers game will always be debatable and subjective. Whatever the turnout is, I am on the affirmative axioms of the optimist side.

Cheers.


(this entry is posted three days earlier since this account will be deactivated on the Day of Taking Another Step on the Flight of Stairs)

a bright idea: turning it off

Soon, the world will be swallowed in darkness.

Thankfully, it is not the end of the world. In fact, this seemingly bleak picture could stretch the lifespan of our world if it ensues in the next years to come. Yes, it will, if we bear in mind Earth Hour.

First launched on March 31, 2007 in Australia, Earth Hour is a global event organized by World Wide Fund (WWF) for Nature, and is held on the last Saturday of March annually, requesting households and businesses to turn off their non-essential lights and other electrical appliances for one hour to raise awareness towards the need to take action on climate change.

Our participation as a third world country may be small but our efforts will always be big. In fact, our country is the top participant in last year’s event, with a record of 650 cities switching their lights off for 60 minutes, beating the country where it originated, an official from the WWF said for the Philippine Daily Inquirer (issue March 30, 2009).

“More than 15 million Filipinos in 650 major towns and cities from distant islands participated,” said WWF communications officer Gregg Yan in the same interview mentioned earlier.

Reports say that the electric grid figures in that year show that 386 Megawatt-hours were saved in Luzon, 150 Megawatt-hours in Mindanao, and 75 Megawatt-hours in Visayas for that blackout. Imagine the bulk of energy we have saved, and as a result, successfully reducing our power plants’ utilization from natural resources.

Even if the official Earth Hour is a couple of minutes away from now, here are some ways we can do every single day in the office to somehow start little by little an Earth Year:

1) Set The Thermostat Lower. The Philippines is a tropical country and “hot” will forever be an everyday feature, but keeping the office extraordinarily cold is not a good idea though. It hampers people from being awake and more productive, and they would go to the pantry to heat water for coffee or tea, heat another thing in the microwave for eating, thus, crunching more numbers in the bills.

2) Replace Old Bulbs. Change incandescent bulbs with compact fluorescent lights or CFLs (example: the picture above). They are a bit pricier, but here’s the logical catch: a 14-watt CFL produces the same amount of light as a 60-watt incandescent bulb.

3) Print Wisely. There’s what we call as Print Preview. Before printing any documents, check files in it for errors or corrections so that nothing would end up in waste, that is 1) the electric energy exploited by the whirring printer, and 2) the paper coming from cut-down trees in some balding mountain. Remember, Paper-Less Management?

4) Simply Unplug. Anything that’s connected to outlets eats up energy, off or not. This usually disregarded fact leads to “phantom energy use” which accounts for about 10 percent of an individual home’s electricity use. One layman tip: check all devices are unplugged before leaving the office.

5) Turn It Off. If “unplugging” is for long-term purposes, like leaving a computer unplugged for the holidays, there’s “turning off” for short-terms, like switching a computer off or powering it down when going out for lunch. It is as easy as a toddler’s A-B-C.

With these being said, there is no need to further expound why this special hour on the last Saturday of the month is our vote for our planet’s sustenance. Come March 27, 2010 at 8:30 to 9:30 in the evening, let’s switch off our lights and other electric devices, open the windows to welcome the wind, and see the stars shine in a different light.

[originally written for the company’s online newsletter so pardon all the references to work]

shook

After that occurrence that lasted for approximately five seconds (just my estimates), here are some interesting accounts from people that popped up in my cellphone, Twitter and Plurk accounts. These were people who were so immersed in their respective works, not so mindful that some parts of Luzon experienced a 6.1 magnitude quake at 1:29pm this afternoon:

“I was playing a video game while talking to one of the directors of the commission of human rights, and then I felt dizzy.”
- Robert

“…naalis antok ko!”
- Yas

“While listening to Black Eyed Peas, my chair shook back and forth, thinking my officemate was kidding around again, when I saw everyone standing up confused, and I thought, I am in the 38th floor!”
- Jordan (Ako)

“Woot! Earthquake! And I thought it was just me tapping my foot to Telephone.”
- Marck

there's something about this work

Last week, an idea struck me on my way home: I should be writing more about the workplace and the work itself.

It was, at the back of my head, a good idea. Since I have been wallowing in unexplainable distress the very first second I gambled my ideals, just to immerse in the curious sterility of the corporate world, why not capitalize on this emotion and get something fruitful from it?

In fact, way before the epiphany, I have produced one short fiction that revolves around an executive, a staff member and a blue-collar worker. All it needed was a workshop for polishing, I guess. Also, I have two drafts set aside because they (not me) don’t know where to go next.

These days, in between breaks and rest hours at home, I am trying to complete them. What could have been a very promising self-imposed project is now a little bit shaken when I read an article two days ago with this sentence inserted somewhere in between: “many contemporary writers are notably silent about a key area of our lives: our work.”

What a serendipitous moment.

The essayist Alain de Botton has written that statement, and his blow-by-blow pointers hit a lot of realities especially in the state of modern Philippine literature. When was the last time people have read something about a farmer or, for the sake of timeliness, a nurse or a call center agent?

Botton’s study is hilarious yet worth quoting:

“If a proverbial alien landed on earth and tried to figure out what human beings
did with their time simply on the evidence of the literature sections of a
typical bookstore, he or she would come away thinking that we devote ourselves
almost exclusively to leading complex relationships, squabbling with our
parents, and occasionally murdering people.”

Botton shares that many novelists in the past have this goal of capturing the working life, such as Dickens, Steinback and Kafka, with the latter’s collection of short stories The Office Writings. I know little (or maybe none) of Filipino writers steeped on writings about work—especially that many of them serve it as a “décor” or, as how fictionist Ian Rosales Casocot puts it, “the wallpaper treatment”—but I am sure there is a rich heap out there.

Casocot pondered that Arturo Belleza Rotor could be an example for his “doctor writings.” I tried thinking for myself who else could be a practitioner, and F. Sionil Jose entered my mind, but later on, I realized his are peppered with lots of politicism even if many of the details in the narrative are distinctly Filipino chores of the working middle class.

And today, writers seem to veer away from the most relevant thing in the world.

But then I consider this could be an issue of escapism, what with the dourest clouds hovering above the heads of many unemployed men these days. This assessment of work absent in recent literature is then brought up again in an essay written by Jennifer Schuessler in The New York Times.

Especially for those working in a corporate setup, one would ask, as written by Schuessler, “how much do we really want to read about what goes on at the office? Don’t most of us spend far too much time there already? The specifics of modern-day labor are, in many cases, utterly dull…”

I can attest to that that it rings all the bells. Why should a student read the mechanical routine of, for example, a restaurant manager when he or she can read the romantic tribulations between a glittering vampire and a sleepy girl, right? Wrong.

This must be the reason why most people, especially the student sector, are so detached from current affairs. We have been busy accumulating too much fantasy in our lives that we have forgotten how the machine works.

The thought of escapism as a means of momentary comfort is all right, but the tangible just keeps on drifting away from us because we have fastened ourselves to the idea of “anything happens,” disregarding the pinch of lesson one could get from stories about the luxury of retirement, the dedication in overtime, or the pitfalls of resigning one’s position.

That’s too much drama; however, to echo Botton, it is just ironic that critics praise a novel by Joshua Farris, saying it tracks “the antics inside a corporation… tackling the fresh and entirely unexpected subject matter of going to the office” when all the while most, if not all, people are laboriously working for days on end. Haven’t people noticed it yet?

It is true that the realm of work is a tedious vacuum but, on the whole, to grasp the reality is to grasp the fundamentals that establish all things as real. And anyone’s job is one of them.

Thus, I will go back to my two drafts now and finish them.

nothing's elusive to the desperate man

It seems to me that whenever the lethal mix of stress, boredom and routine strikes, there’s the need to completely vanish from the picture, go out of the radar.

Yes, it has been a while that I have not mingled with my usual partners-in-crime, to pursue the usual rounds in a drinking hole, chat the usual fantasies, and walk back to the usual dwelling only to wake up the following day to a dreary Sunday, or worse, a usual Monday.

My mind is completely cluttered lately that I can’t even determine what the fun in watching a movie is.

It is a momentary choice I’ve made, this detachment. I have been missing a lot of things since the start of the year, and the opportunity to get out of the metro—the city tangled in many electrical wires, drowning in dusty PUV’s—is like the most beautifully-cut diamond in all the trash I have been seeing.

After living in a concrete jungle for almost eight months, I’ve thought that the waves, the sand, the cheap sumptuous food, the sunrise, and all about calmness, will be an elusive dream of an intoxicated employee. I’ve made that notion wrong.

One day, with everything all set to go, I venture onto a six-hour travel to find peace, along with three of my Hipon fellows Sara Sebastian, Sam Echavez, and Yas Ocampo. Slap me in the face, but what a peace we found! The escape is worth it.

The stunning details are too vast to word in a paragraph that is why I will just post some shots here, and insert some bits of our conversation that will never be heard in our offices:

I need a break.
[at hindi pumasok ang tao on a workday]

‘Prolific’ is the word of the day.
[feelerette pa rin]

Nauubos na yung Ding Dong. Talaga namang nothing is forever.
[lasing ka na yata]

You are my trophy and trophies don’t talk.
[about handsome no-brain boyfriends]

At the end of the rainbow, there is a pot of bro’s.
[the beach is a sight to behold nga!]

Avant-garde pose tayo!
[at kailangan magmukhang matamlay na talangka tayo?]

Ayoko ng ma-repeat yung ‘Don’t say that’ line ko.
[winking at Mars, Pilipeh and Budjkins]

Risks are needed to complete the adventure.
[muntik ka ng malunod, leche!]

mandatory may nakatulog sa biyahe shot.


mandatory pre-Friendster heads up shot.

mandatory dalampasigan jump shot.

mandatory emo shot.

mandatory sunrise shot.

mandatory nakahiga circle of 'friends' shot.

mandatory nakatayo sa mga matutulis na bato shot.

help this year's edition of the iligan national writers workshop

For the first time after 14 years, the NCCA will not support the Iligan National Writers Workshop because of a technicality: the proponents failed to meet the August 31 deadline. Perhaps an oversight on the organizers’ part, but, the failure to meet the deadline was anchored on the presumption that the Iligan workshop, already institutionalized by the NCCA together with the U.P. and Silliman workshops, did not have to go through the process of an Open Grants competition.

The situation frustrated the organizers and panellists and was a letdown for the many aspiring writers who expected the workshop to be an opportunity to hone their craft.

After unsuccessfully appealing the NCCA decision, I tried to convince my peers during a meeting of the NCCA Committee on Literary Arts that the mandate to develop writing in this country was not ours but government’s through the NCCA. If the NCCA did not wish to support our advocacies, why stress ourselves in forcing the issue? After all, scratching off the program will be the country’s loss, not ours. I tried to convince my peers to consider Commissioner Ricky de Ungria’s suggestion to postpone the workshop to next year but meet the deadline for proposals.

But the tenacity and relentlessness of a Christine Godinez-Ortega and her company refused postponement and moved the proverbial heaven-and-earth to realize this year’s workshop.

Writers and friends have come to the rescue willing to spend personal funds for transport, board and accommodations. Personal funds have been pledged to support the fellows and the workshop’s operations. There may not be enough resources from our donors for support, but one thing is certain: the workshop will push through on May 24-28.

I have joined her advocacy and appeal, and will donate my services gratis and perhaps, if personal resources allow, sponsor a fellow or two.

Attached here is her letter of appeal for support. This advocacy is contagious. I hope it infects your spirit too. Please help writing and our writers.


STEVEN P.C. FERNANDEZ, DFA
Member, NCCA Committee on Literary Arts


*

Please email Christine Godinez-Ortega at cgodinezortega@gmail.com if you can help. Any help, any amount is welcome in order for the INWW to be realized once more this year. The following have pledged their support to fund the travel, board and lodging of a writing fellow from their respective schools, regions and organizations for the duration of the INWW: Phil Harold L. Mercurio and Voltaire Oyzon, Hope Sabanpan Yu,Elsa Victoria Martinez Coscolluela, Leoncio P. Deriada, Carlo Arejola, Ricardo Jorge S. Caluen, Maria C. Buenafe, Chari Cruz Lucero, Servando Halili, Rebecca Anonuevo, Glenn Sevilla Mas, and John Iremil Teodoro.

The INWW will likewise ask for representatives and funding support from the following institutions: Ateneo de Manila University c/o Christine S. Bellen, Ateneo de Davao University c/o Macario Tiu, Ateneo de Cagayan-Xavier University c/o Hobart P. Savior, University of Santo Tomas c/o Lito Zulueta, and Capitol University c/o Atty. Jun Juarez.

The panelists and keynote speaker have likewise pledged to spend their own transportation, board and lodging, and, they are, like the staff, giving their services for free: Chari Cruz Lucero, Macario Tiu, Merlie M. Alunan, Leoncio P. Deriada, Karl Gaspar, Victor N. Sugbo, Lawrence Ypil, Carlo Arejola, and Steven Fernandez.

[post originally taken from Ian Rosales Casocot]

mandatory post-valentine blog entry

This is not supposed to be an obligatory post, especially about that date when bouquets of flowers are much more expensive than my workday lunch, but seeing that I haven’t written anything in here for a long time I might as well get into the fair.

If there’s anything significant on the 14th of February, it is simply the fact that it follows my father’s birthday. He’s turned 56 today. And on the fourteenth itself, it is also the birthday of someone I know who I’ve tagged along with to participate in a college Valentine songwriting competition three years ago only to fail right at the very start of the screening period. Aside from these, there’s nothing else I could think of.

I am neither dense nor jaded not to notice its sugary presence with Hallmark messages crisscrossing the country (or all over the world), or tearjerker primetime telenovelas raking up ratings from the masa with their supposed universal theme, or endless songs of lost and newfound love serenading many jeepneys. Heck, it is even linked to “Up to 70% Off” mall sales and discount packages in hotels (and motels).

My nonchalance to the whole festivity is a—hold your breath for the coming word—choice.

Yes, it is my choice not to entertain sudden appearances of “attic acquaintances” (people casually linked to your social web for a while then left in a corner for good out of ennui) in my inbox, unanswered calls and messages in my phone, or even seedlings of short talks in some gatherings. Someone might call me lackluster, or even conceited, but I guess I am through with those things. For me, they are like rain in a sunny morning; they are arresting at first and instantly draining next.

As the last ray of light from the sun took its last wave yesterday in the horizon, I left the open window and went downstairs to watch Simpsons. It was just another day, only a little bit different because many people were just too caught up with Cupid’s consumerism. As to how an acquaintance puts it, the 14th of February might as well be Singlehood Awareness Day.

I know what I’ve said may paint a bad picture of me but, I like to share, I still keep them coming: the appearances, the messages, the calls, the short talks.

No harm’s done anyway.

call for entries to the 10th iyas creative writing workshop

Be One of the 15 Fellows of the 10th IYAS Creative Writing Workshop. This will be held on April 25-May 01, 2010 at the University of St. La Salle, Bacolod City.

• Applicants should submit original work: either 6 poems, 2 short stories, or 2 one-act play using a pseudonym, in five (5) computer-encoded copies of entries; font size 12, bound or fastened, in separate folders, and soft copies in a CD (MSWord).

• These are to be accompanied by a sealed size 10 business envelope with the author's real name and pseudonym, a 2x2 ID photo, and short resume, which must be mailed on or before March 12, 2010.

• Entries in Cebuano, Hiligaynon, Kinaray-a, Tagalog, or Filipino may be submitted. Fellowships are awarded by genre and by language.

• The grant covers board and lodging and a partial transportation subsidy.

PANELISTS
Prof. John Iremil Teodoro Dr. Genevieve L. Asenjo
Dr. Elsa Coscolluela Dr. Dinah Roma-Sianturi
Dr. D.M.Reyes Dr. Anthony Tan

Submit your Application to:
glofuentes2003@yahoo.com Dr. Gloria Fuentes
Assistant Vice Chancellor for Academics Affair
University of St. La Salle, La Salle Avenue, Bacolod City

call for submission of manuscripts to the 49th silliman university national writers workshop

The Silliman University National Writers Workshop is now accepting applications for the 49th National Writers Workshop to be held 3-21 May 2010 in Dumaguete City.

This Writers Workshop is offering fifteen fellowships to promising young writers who would like a chance to hone their craft and refine their style. Fellows will be provided housing, a modest stipend, and a subsidy to partially defray costs of their transportation.

To be considered, applicants should submit manuscripts in English on or before 19 March 2010 (seven to ten poems; or three to five short stories; or three to five creative non-fiction essays). Manuscripts should be submitted in hard copy and on CD, preferably in MS Word, together with a resume, a recommendation letter from a literature professor or a writer of national standing, a notarized certification that the works are original, and two 2X2 ID pictures.

Send all applications or requests for information to Department of English and Literature, attention Dr. Evelyn F. Mascuñana, Chair, Silliman University, 6200 Dumaguete City.

the rainbow has no color

Just when I thought nothing could have been more primitive than the mindless Ampatuan murder in Maguindanao, I’ve read an article in The New York Times last Sunday on the proposal of the Anti-Homosexuality Bill of 2009 in Uganda.

In a country where it is considered that “the gay movement is an evil institution,” fully backed up by police officers, politicians and even teachers, it is appalling to know such collective understanding that is not only discriminating but atrocious.

Atrocious is a strong word but there’s nothing more apt than this if the proposed bill imposes death sentence on everyone who exhibits homosexual behavior.

This would obviously lead to homosexual Ugandans to go back to their agonizing closets but that is another story. What would be my concern here is the fact on how little the majority of Ugandans see now of human life.The United States government sets forth human rights, hoping to stir up some minds of the principles’ presence but, as mocking as the title that is linked to its name, minister of ethics and integrity James Nsaba Buturo have simply said in conviction: “Homosexuals can forget about human rights.”

Well, there goes reasoning.

The statement is starkly cruel, and this must explain the hate stoked in many families of Uganda, which subsequently leads to many beatings, blackmails, death threats and all forms of discrimination to Ugandan gays and lesbians. And purporting that the only goal of homosexuals is “to defeat the marriage-based society and replace it with a culture of sexual promiscuity” is not helpful.

This hatred has even lead to horrendous incidents. In the same article mentioned earlier, one gay rights activist said that “she was pinned down in a guava orchard and raped by a farmhand who wanted to cure her of her attraction to girls.” With this so-called correctional rape, she was only impregnated and infected with H.I.V. She approached her grandmother, perhaps for consolation, but she got this answer: “You are too stubborn.”

Injustice is not only the Ugandans’ concern. It is also in our country. Late last year, Commission on Elections (Comelec) has once again refused to register the party-list accreditation of Ang Ladlad—an organization of gays, lesbians, bisexuals, and transgenders led by college professor and writer Danton Remoto—for the coming elections. No issue could’ve ensued if the basis for rebuffing is deficiency of requirements or the likes, but the ruling is based on the list as follows:

“The ‘ANG LADLAD’ apparently
advocates sexual immorality as indicated in the Petition’s par. 6F: ‘Consensual
partnerships or relationships by gays and

“(2) serve no other purpose but to
satisfy the market for violence, lust or pornography; (3) offend any race or
religion; (4) tend to abet traffic in and use of prohibited drugs; and (5) are
contrary to law, public order, morals and good customs, established policies,
lawful orders, decrees and edicts;

“(3) Those who shall sell, give
away or exhibit films, prints, engravings, sculpture or literature which are
offensive to morals. (As amended by PD Nos. 960 and 969).”

It is not hard to imagine that the Comelec deems no importance to human rights too. Article 7 of the Universal Declaration of Human Rights (UDHR) points that, “All are equal before the law and are entitled without any discrimination to equal protection of the law. All are entitled to equal protection against any discrimination in violation of this Declaration and against any incitement to such discrimination.”

Because of this, I can only gather that the Comelec shares the same brain cells with the seething Ugandans.

The news on Uganda and the Comelec has struck a wrong chord in me. After all the merrymaking during the yuletide season, I have only fathomed the fact that our lives in this very sad world is like a stubborn lint—you keep on pushing it off your sleeve but it is still there.

One day, I sent a message regarding the situation in Uganda to people I know would have a take on this. There’s one who responded in an instant, saying “These things are happening to keep the fight going.” I commend her for a half-full glass perception.

The trajectory of enlightenment is already at its peak, yes, but I have forgotten that like many trajectories it goes down, plummeting into the depths. Is this the happening we are facing right now? I could only hope it is not, thinking this could just be an airplane’s flight encountering an air pocket.

For now, I can only sense that nothing is certain. But in all likelihood, the rainbow would surely lose it colors soon if this blindness pervades.

some sense

I’ve gathered from a news report that incidents of victims who are shot from the poetic-sounding but nonetheless dangerous ligaw na bala have risen, from 17 cases across the country (2008-2009) to 26 (2009-2010).

The missing number between the two data is still big.

There must be logic behind these happenings. My guess is simple. Various organizations have strengthened their campaigns against setting off firecrackers when anticipating the coming new year, or at least burn money with the lesser evil like a fountain, so people opt to go for the most sensible form of celebration: drinking. Yes, the activity that involves lots and lots of alcohol that ranges from 6.5 to 7.2 per bottle, or depending on what kind.

After this semi-mandatory family-slash-friends affair, the pivotal reason to the rising number of deaths and wounded from the lost bullet (because it’s called ligaw na bala, diba?) comes next. People, in the end, get drunk. Obviously, those with guns, licensed or not, especially those who go beyond their sanity’s control, reach for their guns and pull the trigger. Bang!

In simpler words: No putok. Gets drink. Gets drunk. Big putok.

I say the precautionary measures must be lifted a notch higher.

dog-ears of the decade

The running line of the 00’s (these are the years 2000 to 2009) is nearing its end. And pushing back the years a little further, I find it fascinating to know the changes and progression of the generic “everything.”

One time, during this Christmas break that I am basking on to the last minute, I suddenly thought of an old picture with my brother and three cousins in it. Luckily, I was with these people in a gathering so I rounded them up, positioned ourselves like the grainy image, had somebody take a shot, and waited for the results.

Other than the juvenile demeanor (as shown by our lanky frames and wide doe eyes) and the ages that I can’t really remember (including mine), I can tell the changes have gone beyond “everything.”

Noting what they are is no longer needed because what must be acknowledged here is how these changes have defined us, along with the community that grows and disperses. Between these two pictures are the dog-ears in a novel’s pages—they are there but no one’s sure how they come up to be.

I believe it has always been like that.

I do know the importance of answering the how’s or the why’s but as we grow older, plucking wisdom from our experiences, we learn the importance of selfless acceptance, whether such so-called change is good or sad (I choose sad since bad is such a strong word).

Whether we like it or not, alterations in many facets of our lives will happen. Or, before we even know it, have happened. Though the folds are inevitable, let us not forget to be aware.

Just recently, maybe through the alignment of the heavenly bodies or the sheer ingenuity of Facebook, I and the rest of my siblings finally connected to a relative we barely knew. This is something good because, as what I’ve said earlier, this shows the kind of change that defines a growing community. Before Christmas Day, many of us personally meet this first degree cousin for the very first time.

But as one bud appears in a bush, a leaf wilts and soon drops on the ground. On the same day of the meeting, our cousin joined us in seeing our grandfather going six feet under. Arcadio Mejorada Carnice, or known as Tatay to many, died on December 21 and was buried in his hometown on the 24th.

Time, indeed, runs fast and we have miscalculated the years. What we have anticipated to slow down reared up, started its engine, and went full blast, hurtling into the distance before anyone of us could catch up. Well, nobody could catch up when it comes to the looming fate of one’s life.

The random bombardment of all things mundane has numbed us and it didn’t help. Crime news or the politico television spot ads, take your pick. Heck, if we have disregarded our very own state of mind and physiological condition because of such, how much more on someone else’s? And please do tell; when was the last time you paused and eyed a wind courting a leaf? When was the last time you picked up a candy wrapper and placed it in a waste basket? When was the last time you said “I love you” with the starkest sincerity and not out of necessity or practice?

In a much grander scale, I am sure the same bombardment has consequently led us to forgo the very basic reason to most critical issues, from global warming to greedy presidents: Nothing could have happened if we didn’t let them be.

This may already be a huge leap from my musings about an old photograph, a new cousin, or a loved one leaving for a better place (I cannot deny this ailment of mine regarding organic unity) but this whole thing just reflects the defragmented era, so as our kaleidoscopic view of the world as everyone’s stage.

The crumbling of the World Trade Center in 2001 is just the beginning. When Apple’s iPhone hit the shelves and garners raves from tech critics and users, we are left in shock by the impact of the economic recession. When we celebrated the inauguration of Barrack Obama as the first African-American US President, we encounter next the feud between rival Sarah Palin and a teenager, with the latter almost going full-monty on a Playgril cover. When Manny Pacquaio wins his seventh world boxing champion title, we learn about his purported affair with a local starlet. When most of us have just stood up after Ondoy and Pepeng, we are stunned by the rising death toll in Maguindanao. There’s a lot more, both good and sad.

It is not surprising that Time magazine labeled the 00’s The Decade from Hell. In a New York Times interview, Yale historian Paul Kennedy said that “The urge to name moments and eras is an affliction common to historians, but one that is best attempted with a certain sobriety.”

Well, with the things happening around us, good luck with that sobriety.

Again and again, we are always told that the consequences lie on our hands too. If we are one of those who celebrated on whatever it is to be celebrated, then it must be logical that we are also one of those who must grieve—a result from being too unmindful of the burgeoning folds or dog-ears in our book of lives.

But our half-thought decision and actions are just part and parcel of the grand design: we commit a mistake and we learn. I’d like to point, as clichéd as it always sounds, that the past may have its flaws but it is in the present that really matters. As what we should have drilled into our heads a long long time ago, the now has great bearing as to how the tomorrow meets us. That way we could definitely define what a happy, pleasant life is.

Despite the differences obvious in both pictures, past and present, one must see the common denominator of the two. This is the smile present in our eyes, like the promising light of the month’s second full moon we could see tonight.

To everyone, I wish you will have a great year ahead, full of the most better-made decisions.

adjusted

Go to your trusted dentist now and avail the Year-ender Braces Adjustment before the clock strikes twelve midnight on December 31. The first 12 patients will get a 40% discount, plus unique Mickey Mouse brackets and glow-in-the-dark elastics. This service is offered by all dentists across the country.

With your Year-ender Braces Adjustment, you wouldn’t only get that perfect smile in the next three to five years but you would also receive the Stupid Mistake Certificate. This special token is a testament to your unthinkable decision for having those pearly whites cringe in this season of feasts and merrymaking. Lechon, chicharon or fried dumpling? Nah.

So what are you waiting for? Be tortured in every bite.

hoppy yuletide season

There’s nothing else to say especially in these times but a truly believable “happy” Christmas to all. Being happy is relative and if this is not enough, it is already up to him or her to at least appreciate the momentary break. Once again, happy Christmas to all of you bullfrogs!

And by the way, today is my mother’s birthday.

i am talking to you

After all, it has been a while. There’s no need stretching the introductory lines here but, being the loquacious bullfrog that I am, I will offer to you my apologies right now for not directly saying what I wanted to spill out of my mouth. I have this question and it’s as if the interrogative is stuck on the tip of my tongue.

Rest assured this is not something that would annoy you, like some television prank show finale. Do not worry.

Even if you’ve reached this point, probably considering that this is a waste of time, I hope you’d hold on to this a little longer. Besides, what matters in almost all events is the moment the two persons share together—and reading a post by someone else is a communal act.

You are in the right place.

Of the several ways that I could manipulate in here, the least I could do is to keep you away. The link between us may not be visually concrete, only subjective to the haste exchange of replies in minute boxes.

Upping the ante of luring you into this part by nailing you with sentimentality is not what I have in mind. In fact, these words just flow from the tips of my fingers like nature’s spigot.

From here on, fine, I will now tip you the purpose of me talking to you. There’s something I want to know but the answer I could get can basically be encapsulated in words like “yes” and “no,” that is why I am rooting for something more than the generic responses.

I appreciate that you’re listening to my written words.

Now, here is what you should do and please bear with the simple instruction that follows: gather the first letters of each paragraph and read them.

Erm, the sudden silence is just jarring. I need to post this.

shoot

For the time being. I just need something that's solely my own. Those big chunky ones, obviously much better (and more expensive), will follow soon. Click here for the specs of this camera.